"Deep In A Dream - Sheep Meadow" is a portfolio that I started in 2006 but ultimately shelved because of my discomfort taking such intimate & vulnerable pictures of people while they were completely unaware.
HomeCategory
America
While studying architecture in my hometown, Lima, I got a job as a journalist in a local newspaper.
Born in Lima, Peru in 1978 Vanessa Colareta lives and works in Madrid. In 2013 she was named Still Life Professional Photographer of the Year at the Sony World Photography Awards, London.
So my ideal photographic situation would be to shoot on an amazing location a beautiful or interesting subject! Because some places are unbelievable and have a story of their own.
The majority of my photography is done on a smartphone. I enjoy most the processes of observation, framing, composition, and the relationships between photographer/camera/subject.
Tema Stauffer is a photographer whose work examines the social, economic, and psychological landscape of American spaces.
Either I tell too little and say nothing of interest, or tell too much and still say nothing at all. I’m a struggling artist. I’m riddled with self-doubt and self-deprecation.
I’ve made these photographs to better know my place in the universe. Our ability to travel the cosmos being limited, I’ve built a machine in an attempt to observe elemental transactions.
These photographs depicting abandonment expose the vulnerability of our existence by facing decay and loss. Metaphorically speaking the places in this series symbolize what we fear most:
She is the founder of the international non-profit project, The Camera Project, which facilitates and encourages children around the world to photograph their everyday environment and reflect on their lives
There is no such thing as compromising with nature; we simply abide by how it lives and exist as a part of it. Nature is very relevant to each individual’s well-being, but more so than it is part of us, we are part of it.
Inspired by flemish painting, “Historical correction” reinterprets these ild masters from a more contemporany point of wiew,
I’m a New York based fashion photographer and artist. I grew up in Finland and Hungary, and came to NYC to study painting at the age of 17.
I see the world as an image from which I choose parts to create my photographs. For me, a wall begins as a canvas, a two-dimensional surface, a foundation on which to build an image.
Saw The Splendour is inspired by worlds in both biology and astronomy and the narratives that are created by discoveries in both sciences.
Five young women, dressed in colorful tights and balaclavas, entered the Cathedral of Christ the Savior in Moscow, and began singing—“Virgin Mary, Mother of God, chase Putin out/Chase Putin out, chase Putin out.”
I consider myself to be first and foremost an artist before I am a photographer. Since I can’t draw to save my life, I use the camera as my brush to express my vision of reality.
Ballet from the beginning, was and often still is, concentrated on making the dancer look polished, perfect, in character, focused on the end performance, or the final outstretched movement.
These images represent life on the road with various musical groups I have traveled with. Whether it’s in a tour bus, a random midwestern motel room, backstage at a venue, or the vulnerability of a perceived icon,
The power of neo-burlesque is rooted in the charisma the performer exerts over the audience. On stage, the artist controls the illusion of what is and is not revealed.
It’s a privilege to photograph the same timeless surroundings from which Renaissance Masters once drew inspiration.Every time I visit Tuscany, I expect its beauty to have succumbed to the trappings of modernity and tourism.
The amount of water used by humans has tripled since 1950, and irrigated cropland has doubled. About one-fifth of the worlds population lacks sufficient water, a figure that could reach 40 percent by 2025 by some estimates
I must have been ten or eleven years old when I first ran across the peculiar envelope that bore my grandmother’s shaky handwriting: “not to be opened until my death.”
In 2006, Nathalie Daoust went to China for an artist residency with the Red Gate Gallery and fell in love with the culture.
All artists are haunted by specific themes, and mine are about loss and longing. Taking pictures satisfies a need for connecting and intimacy that does not have to bend
I have always reflected on my history to inform and influence my projects. An on-going approach in my personal projects is to visit locations that have had influential historical events occur.
In the last five decades, there have been big internal migratory movements among the Brazilian regions, with great consequences to the history of the country.
Krystel Marois is a photographer originally from Sherbrooke (Canada) who currently lives and works in Brisbane (Australia). She completed with honours a Bachelor of Fine Arts at Concordia University (Montreal, Canada) in 2010, with a major in Photography
This shot is one of a series. There are seven photos in this series, so for doing this kind of work in a series, I need to prepare carefully. I had the idea or theme first, then I tried to find a well-fitting location.
Women no longer feel the need to please the previously-ordained-in-media's "male gaze." Females are finding their voice and their own visions in how to adorn themselves: women according to women.
Photography is a very interesting combination of technical skills and artistic perception. While I enjoy mastering the technical aspects of photography, I try to keep uppermost in mind the artistic matters.
The photographs I create are what I call cinematic narrative photomontages, fictions meant to seem like snapshots of "reality." The implication is that our reality is created through the limitations of our perceptions.
This project is about resolving my conflicted feelings I‘ve experienced as a Southerner. I love the South, but I have at times been embarrassed to claim it as my home.
A portrait is a crystallization of human relationship, a privileged connection between photographer and subject.
Bangladesh has experienced one of the highest and most rapid urban population increases in the world. Dhaka city has a huge population of 14 million with over 300,000 migrants arriving annually.
My name is Leighanne Deeney, and I am a 19 year old aspiring creative and fashion photographer out of Northern Colorado. I have been passionate about photography for the past 3 1/2 years
A current project that I've been working on over the past few years is a series called American Deindustrialization. All along the American Rust Belt are rapidly disappearing relics of Americas Industrial past.
I loved taking photos of my son and I thought to myself “ I want to take better photos of him, and maybe I will sign up for a photography class”. I had no idea of where to start, but I knew I needed a basic photography course.
Chaiken’s series explores sexuality and the idea that the largest sexual organ for any human being is the brain. The model was pleased with the results and other models attracted by the effort, and intrigued by nudity but in a secret manner, stepped forward to pose as well.
New York is vibrant, crowdy and the most of all unpredictable. I spent six weeks last year on the streets of NYC trying to define life and people of this great place.
I am a full time freelance photographer that specializes in fashion portraiture and creative photography.
This project is the first collaboration for ezio+ian, Canadian photographers Ezio Molinari and Ian Ross Pettigrew.
Jimmy Williams is a fine art and assignment photographer based in Raleigh, NC. He studied visual design at North Carolina State University, and shortly thereafter, opened an independent studio where he established himself as a successful and award-winning assignment photographer.
The ideal photographic situation is when the image that I see in the viewfinder is the image that was in my mind or even better
These photographs display the conditions and human rights violations of the people living in Tondo, Manila, Philippines. Upon my arrival to Manila, Philippines I felt an overwhelming feeling of this growing city.
“Niemeyer’s Brasilia” is a series of photos conceived when I was visiting Brasilia for the first time in 2012. I was fascinated by Brasilia, which at once seems futuristic and trapped in time.
I wasn't looking to be a photographer but for some reason, photography found me. About four years ago, I decided to enroll in a photography class.
Andrew’s fine art photographs have been exhibited at the Museum of the City of New York and are included in numerous corporate and private art collections across the USA.
