In South Africa, the market for trading exotic pets, either legally or illegally, is big. It all looks so nice and cool, having an exotic animal as your pet, and inspired by stories about the ‘real Tarzan’ and the ‘lion whisperer’, a lot of people want to be the next exotic animal whisperer.
Jackie Jamison is very fond of her pet capuchin, although the capuchin is getting more hostile and unmanageable now that he’s getting older. Jackie must consider to give the monkey away
Magazine
Our printed editions, circulating throughout various galleries, festivals and agencies are dipped in creativity.
The spirit of DODHO’s printed edition is first and foremost an opportunity to connect with a photographic audience that values the beauty of print and those photographers exhibited within the pages of this magazine.
In South Africa, the market for trading exotic pets, either legally or illegally, is big. It all looks so nice and cool, having an exotic animal as your pet, and inspired by stories about the ‘real Tarzan’ and the ‘lion whisperer’, a lot of people want to be the next exotic animal whisperer.
But once they have one and they have found out what they need to do to take good care of it, and the money it costs, it is suddenly not so cute anymore and rather a lot of work. It poses a lot of threats as well; not only to the wellbeing of the animal itself, but what if it escapes, and what will its presence do to the natural environment and the South African species? Those things most exotic pet owners have not considered before buying an exotic animal.
An exotic animal is a species that is not an indigenous species in South Africa. This means that an exotic animal has been imported (with or without the requisite permits) into the country and is either being kept in a captive situation or has been released. One of the reasons why the exotic pet trade is so big in South Africa is because it is fairly easy to get exotic animals in the country and to sell them to the buyers. Although initiatives and regulations have been launched over the recent years to strengthen compliance and enforcement of legislation to protect animals, wildlife and indigenous species, about 90% of exotic pet owners still don’t have a permit for their animals.
The permits for exotic animals are issued by authorities when people can prove that they have the means to take good care of the exotic animals in terms of space, funds and environment. The environment needs to be safe for both the animal and its surroundings. The permit further provides a manual how to take care of them and what actions to take in specific situations (e.g. should the animal escape).
For some animals permits aren’t even required, even though the animals are seen as exotic, such as the weeper capuchin and other monkey species. The capturing of monkeys is not prohibited in South Africa and therefore, monkeys are one of the most common exotic animals that are used as pets in the country. Baby monkeys are of course very cute, but when they grow up, they can become quite a handful and can tear a living room apart without much effort. They are also vulnerable to diseases, especially when owners don’t know how to take care of them. This then soon becomes a problem for the animals, the owners and the surroundings, especially when being ‘released’.
For this documentary, ‘Exotic Companions’, I have met with owners of exotic pets, conservatories and veterinarians of exotic animals to highlight the trade of exotic pets in South Africa, to show what it entails to have an exotic pet and what the consequences are for the animals, the owners and the environment. With this series I want to look beyond the cuteness and excitement of owning an exotic animals and show what the impact is of capturing exotic animals as pets. Especially in these strange times with the Covid-19 crisis we are experiencing now, it is important to understand and re-balance the relationship between man, animals and nature.
About Frank Trimbos
I focus on human interest documentaries and stories that are worth telling the world. An eye for detail and telling the story behind the observations play an essential role in this. In 2007 I started my professional career as documentary photographer at The Parool in Amsterdam, the Netherlands. I am currently based in Johannesburg, South Africa, where I’m working for various photo agencies and making independent photo series. Since I live in South Africa, I don’t have a shortage of topics for new series. Currently Africa is in motion, and the responses to this motion is determent for the direction the continent will take. This has a major impact on people’s lifestyles and how they view life and how they interact. This impact is both visible and tangible and manifests itself in various ways, which I want to capture with my photo series. [Official Website]
To provide the best experiences, we use technologies like cookies to store and/or access device information. Consenting to these technologies will allow us to process data such as browsing behavior or unique IDs on this site. Not consenting or withdrawing consent, may adversely affect certain features and functions. More Info
Functional
Always active
The technical storage or access is strictly necessary for the legitimate purpose of enabling the use of a specific service explicitly requested by the subscriber or user, or for the sole purpose of carrying out the transmission of a communication over an electronic communications network.
Preferences
The technical storage or access is necessary for the legitimate purpose of storing preferences that are not requested by the subscriber or user.
Statistics
The technical storage or access that is used exclusively for statistical purposes.The technical storage or access that is used exclusively for anonymous statistical purposes. Without a subpoena, voluntary compliance on the part of your Internet Service Provider, or additional records from a third party, information stored or retrieved for this purpose alone cannot usually be used to identify you.
Marketing
The technical storage or access is required to create user profiles to send advertising, or to track the user on a website or across several websites for similar marketing purposes.
We use Sendinblue as our marketing platform. By Clicking below to submit this form, you acknowledge that the information you provided will be transferred to Sendinblue for processing in accordance with their terms of use
We’d love to
Thank you for subscribing!
Submission
Dodho Magazine accepts submissions from emerging and professional photographers from around the world.
Their projects can be published among the best photographers and be viewed by the best professionals in the industry and thousands of photography enthusiasts. Dodho magazine reserves the right to accept or reject any submitted project. Due to the large number of presentations received daily and the need to treat them with the greatest respect and the time necessary for a correct interpretation our average response time is around 5/10 business days in the case of being accepted.
- Between 10/30 images of your best images, in case your project contains a greater number of images which are part of the same indivisible body of work will also be accepted. You must send the images in jpg format to 1200px and 72dpi and quality 9. (No borders or watermarks)
- A short biography along with your photograph. (It must be written in the third person)
- Title and full text of the project with a minimum length of 300 words. (Texts with lesser number of words will not be accepted)
This is the information you need to start preparing your project for its presentation
To send it, you must compress the folder in .ZIP format and use our Wetransfer channel specially dedicated to the reception of works. Links or projects in PDF format will not be accepted. All presentations are carefully reviewed based on their content and final quality of the project or portfolio. If your work is selected for publication in the online version, it will be communicated to you via email and subsequently it will be published.
Thank You. We will contact you as soon as possible.
Submission
Dodho Magazine accepts submissions from emerging and professional photographers from around the world.
Their projects can be published among the best photographers and be viewed by the best professionals in the industry and thousands of photography enthusiasts. Dodho magazine reserves the right to accept or reject any submitted project. Due to the large number of presentations received daily and the need to treat them with the greatest respect and the time necessary for a correct interpretation our average response time is around 5/10 business days in the case of being accepted. This is the information you need to start preparing your project for its presentation.
To send it, you must compress the folder in .ZIP format and use our Wetransfer channel specially dedicated to the reception of works. Links or projects in PDF format will not be accepted. All presentations are carefully reviewed based on their content and final quality of the project or portfolio. If your work is selected for publication in the online version, it will be communicated to you via email and subsequently it will be published.