Interview with Michele Punturieri; published in our print edition #15

This work is somewhat impromptu because it has been carried out, so to speak, on the spot and at the moment. Street photography pure, trying to capture the most interesting moments and faces in the places I visited. 

Invisible Cities

More than a year has passed since when, a virus with a size between 50 and 140 nanometers has put humanity in check and especially our way of life.

Psychography: psychology and photography

Throughout this long year that is being marked by the rhythms and restrictions associated with the pandemic, many of us have realized that having a creative tool such as photography in our “backpack” has often been our anchor of salvation.

Cage, Dreams and Multiplicity by Paola Francesca Barone

Paola began photographing as a child, when her father gave her his Zeiss so that she could learn to love the hobby that he so enjoyed and at the same time scolded her because she tended to frame by deviating from the canons of photography at the time.

Interview with Sara Camporesi; published in our print edition #20

A photographer passionate about art, for a long time she has combined this interest with the spontaneity of visual storytelling, conceived not only as a classic account of experiences but as a combination of personal and creative shots conveys the secret appeal of urban places and museums, revealed through images and words like a “photographer narrator”.

Interview with Anne Mason-Hoerter; Published in our print edition #12

I think this project was a combination of many thoughts and ideas. Both conscious and unconscious. The initial feeling was my frustration/ fear with the experience at the supermarket and also the unknown.
Jun 4, 2021

Spooky Actions at a Distance

Let me ask you a question. What is the hungriest you’ve ever been? I’m not talking about being hangry. I mean, have you ever been so hungry that perhaps you thought of selling your gear? Or maybe going to a pawn shop?

Waitography, the photography of waiting

In my previous article “Photography or Promptography” I talked about how artificial intelligence is revolutionizing the visual language; how it is making us question axioms that seemed consolidated and how it is causing a schism in the photographic world. In this article I will talk about Waitography, that is, the photography of waiting.

Jim Mortram

Jim Mortram is the pictorial architect behind Small Town Inertia; revealing portraits of people and their stories within a three mile radius of his home. This short film documentary introduces one of photography's more altruistic photographers

Interview with Riccardo Magherini; published in our print edition #19

Riccardo Magherini is a photographer and visual artist. By approaching his medium in innovative ways, Riccardo often challenges human perception, condition and context. 
Submission
Dodho Magazine accepts submissions from emerging and professional photographers from around the world.
Their projects can be published among the best photographers and be viewed by the best professionals in the industry and thousands of photography enthusiasts. Dodho magazine reserves the right to accept or reject any submitted project. Due to the large number of presentations received daily and the need to treat them with the greatest respect and the time necessary for a correct interpretation our average response time is around 5/10 business days in the case of being accepted.
- Between 10/30 images of your best images, in case your project contains a greater number of images which are part of the same indivisible body of work will also be accepted. You must send the images in jpg format to 1200px and 72dpi and quality 9. (No borders or watermarks)
- A short biography along with your photograph. (It must be written in the third person)
- Title and full text of the project with a minimum length of 300 words. (Texts with lesser number of words will not be accepted)
This is the information you need to start preparing your project for its presentation
To send it, you must compress the folder in .ZIP format and use our Wetransfer channel specially dedicated to the reception of works. Links or projects in PDF format will not be accepted. All presentations are carefully reviewed based on their content and final quality of the project or portfolio. If your work is selected for publication in the online version, it will be communicated to you via email and subsequently it will be published.
Contact
How can we help? Got an idea or something you'd like share? Please use the adjacent form, or contact [email protected]
Thank You. We will contact you as soon as possible.
Submission
Dodho Magazine accepts submissions from emerging and professional photographers from around the world.
Their projects can be published among the best photographers and be viewed by the best professionals in the industry and thousands of photography enthusiasts. Dodho magazine reserves the right to accept or reject any submitted project. Due to the large number of presentations received daily and the need to treat them with the greatest respect and the time necessary for a correct interpretation our average response time is around 5/10 business days in the case of being accepted. This is the information you need to start preparing your project for its presentation.
To send it, you must compress the folder in .ZIP format and use our Wetransfer channel specially dedicated to the reception of works. Links or projects in PDF format will not be accepted. All presentations are carefully reviewed based on their content and final quality of the project or portfolio. If your work is selected for publication in the online version, it will be communicated to you via email and subsequently it will be published.
Get in Touch
How can we help? Do you have an idea or something you'd like to share? Please use the form provided, or contact us at [email protected]
Thank You. We will contact you as soon as possible.
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