Lost Values by Stefano Barattini

Seeking for lost values. Values of an Italian productive society downsized by the advent of outsurcing practices leading to the improvement of the tertiary sector, which replaces manufacturing most of the times.
Lost Values | Stefano Barattini

Magazine

Our printed editions, circulating throughout various galleries, festivals and agencies are dipped in creativity.

The spirit of DODHO’s printed edition is first and foremost an opportunity to connect with a photographic audience that values the beauty of print and those photographers exhibited within the pages of this magazine.

We invite professional and amateur photographers from all around the world to share their work in our printed edition.

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The synthesis of this project is recalling thorough images the history of these places overlapping ours: what we are today is what we have been in the past.

Seeking for lost values.Values of an Italian productive society downsized by the advent of outsurcing practices leading to the improvement of the tertiary sector, which replaces manufacturing most of the times.

Values on which the society itself was based and that have created wealth for enterprises and workers.In the light of what we are now, we observe images like we were getting on board of the mythical Titanic. Entering spaces destroyed by the shipwreck of time, we need an imaginative effort to recreate the vision of that transatlantic splendor, converted into a pile of rubble.

From ruins to pre-existing beauty: this is the sense of the seeking for lost values that photography can try to recover with today’s pictures. In our troubled times factories are closing, leaving abandoned industrial settlements turned into decayed buildings scattered around without being restored. In our Country, but also in the rest of Europe, there are hundreds of abandoned industrial constructions: from old mines to workshops, from great factories to power plants. A dilapidated useless heritage, still fascinating and full of story. Photography is for me a mean to bring back to life those places, previously industrious and now abandoned. Behind images you can perceive the silent claim raised around the missing regeneration of those places. It is a way to document those realities as an historical memory and, at the same time, paying attention to a possible renewal.

The decay of those buildings and machineries have become the subject of my photographic research, that tells their story with images.Large empty spaces, once occupied by machines, with light entering, drawing shapes and details of what is still there. Everything contributes to bring them back to life just for a moment, telling their story to new generations. Historical record is a key point to better understand and appreciate those places. My postproduction tries to convey my feelings when I enter those sites: sensations of desolation, emptiness and silence. Lights and shadows that I often make sharp and rough, with a great contrast, desaturating colors and searching framings that make the most of this lost world that is our past and must not be forgotten.

Lost Values | Stefano Barattini
Lost Values | Stefano Barattini
Lost Values | Stefano Barattini
Lost Values | Stefano Barattini
Lost Values | Stefano Barattini
Lost Values | Stefano Barattini
Lost Values | Stefano Barattini
Lost Values | Stefano Barattini
Lost Values | Stefano Barattini
Lost Values | Stefano Barattini
Lost Values | Stefano Barattini
Lost Values | Stefano Barattini
Lost Values | Stefano Barattini
Lost Values | Stefano Barattini
Lost Values | Stefano Barattini
Lost Values | Stefano Barattini
Lost Values | Stefano Barattini
Lost Values | Stefano Barattini
Lost Values | Stefano Barattini

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Submission
Dodho Magazine accepts submissions from emerging and professional photographers from around the world.
Their projects can be published among the best photographers and be viewed by the best professionals in the industry and thousands of photography enthusiasts. Dodho magazine reserves the right to accept or reject any submitted project. Due to the large number of presentations received daily and the need to treat them with the greatest respect and the time necessary for a correct interpretation our average response time is around 5/10 business days in the case of being accepted.
- Between 10/30 images of your best images, in case your project contains a greater number of images which are part of the same indivisible body of work will also be accepted. You must send the images in jpg format to 1200px and 72dpi and quality 9. (No borders or watermarks)
- A short biography along with your photograph. (It must be written in the third person)
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This is the information you need to start preparing your project for its presentation
To send it, you must compress the folder in .ZIP format and use our Wetransfer channel specially dedicated to the reception of works. Links or projects in PDF format will not be accepted. All presentations are carefully reviewed based on their content and final quality of the project or portfolio. If your work is selected for publication in the online version, it will be communicated to you via email and subsequently it will be published.
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How can we help? Got an idea or something you'd like share? Please use the adjacent form, or contact [email protected]
Thank You. We will contact you as soon as possible.
Submission
Dodho Magazine accepts submissions from emerging and professional photographers from around the world.
Their projects can be published among the best photographers and be viewed by the best professionals in the industry and thousands of photography enthusiasts. Dodho magazine reserves the right to accept or reject any submitted project. Due to the large number of presentations received daily and the need to treat them with the greatest respect and the time necessary for a correct interpretation our average response time is around 5/10 business days in the case of being accepted. This is the information you need to start preparing your project for its presentation.
To send it, you must compress the folder in .ZIP format and use our Wetransfer channel specially dedicated to the reception of works. Links or projects in PDF format will not be accepted. All presentations are carefully reviewed based on their content and final quality of the project or portfolio. If your work is selected for publication in the online version, it will be communicated to you via email and subsequently it will be published.
Get in Touch
How can we help? Do you have an idea or something you'd like to share? Please use the form provided, or contact us at [email protected]
Thank You. We will contact you as soon as possible.
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