Mountainland: Vietnamese Photographs by Sascha Richter
"Mountainland" surveys the lives and societies of upland Southeast Asia with reference to the geographical and socio-scientific concept of Zomia, which understands the region as culturally different from the respective dominant lowland societies and tries to challenge the widespread perception
Three generations are harvesting the family's rice, that will serve them as food for the coming year.
Children are an important work force for poor families, who help earning the income.
Magazine
Our printed editions, circulating throughout various galleries, festivals and agencies are dipped in creativity.
The spirit of DODHO’s printed edition is first and foremost an opportunity to connect with a photographic audience that values the beauty of print and those photographers exhibited within the pages of this magazine.
“Mountainland” surveys the lives and societies of upland Southeast Asia with reference to the geographical and socio-scientific concept of Zomia, which understands the region as culturally different from the respective dominant lowland societies and tries to challenge the widespread perception and narrative of the cultural unity of Southeast Asia as a region. It highlights the classical lifestyle of the mountain dwellers vis-à-vis the respective lowland societies and documents their daily struggle for existence.
The Southeast Asian Massif is a region that sprawls across Vietnam, Laos, Cambodia, Thailand, Myanmar, China, India and Bangladesh, roughly 2,5 million sqare kilometers. Most of the people dwelling there are fragmented into hundreds of ethnic identities, linguistically and culturally distinct from the populations that dominate the state cores in the valleys. Estimations put the ethnic minority populations at around eighty million to one hundred million people. The population of the hills is far more dispersed and culturally diverse than that of the valleys and their history is best understood as a history of runaways from nationbuilding processes in the lowlands.
Historically all states, classical, colonial and independent nation-states, in the region have tried to bring such people under their administration and encouraged politics of economic, administrative, and cultral absorption into the majority population at the state core. Thereby making the upland both a space of political resistance and a zone of cultural refuge.
The region is knittered together not by political unity, but by comparable patterns of hill agriculture, dispersal, mobility, rough egalitarianism and cultural refuge from the institutional authority of the state. Rugged mountains and harsh landscapes are providing a homeland and shape the environment for the people balancing between traditional livelihood and modern structures. Naturally, today, in our fast growing, globalized world, the option of avoiding the state is one that is fast vanishing, also for the people of the hills. [Official Website]
To provide the best experiences, we use technologies like cookies to store and/or access device information. Consenting to these technologies will allow us to process data such as browsing behavior or unique IDs on this site. Not consenting or withdrawing consent, may adversely affect certain features and functions. More Info
Functional
Always active
The technical storage or access is strictly necessary for the legitimate purpose of enabling the use of a specific service explicitly requested by the subscriber or user, or for the sole purpose of carrying out the transmission of a communication over an electronic communications network.
Preferences
The technical storage or access is necessary for the legitimate purpose of storing preferences that are not requested by the subscriber or user.
Statistics
The technical storage or access that is used exclusively for statistical purposes.The technical storage or access that is used exclusively for anonymous statistical purposes. Without a subpoena, voluntary compliance on the part of your Internet Service Provider, or additional records from a third party, information stored or retrieved for this purpose alone cannot usually be used to identify you.
Marketing
The technical storage or access is required to create user profiles to send advertising, or to track the user on a website or across several websites for similar marketing purposes.
We use Sendinblue as our marketing platform. By Clicking below to submit this form, you acknowledge that the information you provided will be transferred to Sendinblue for processing in accordance with their terms of use
We’d love to
Thank you for subscribing!
Submission
Dodho Magazine accepts submissions from emerging and professional photographers from around the world.
Their projects can be published among the best photographers and be viewed by the best professionals in the industry and thousands of photography enthusiasts. Dodho magazine reserves the right to accept or reject any submitted project. Due to the large number of presentations received daily and the need to treat them with the greatest respect and the time necessary for a correct interpretation our average response time is around 5/10 business days in the case of being accepted.
- Between 10/30 images of your best images, in case your project contains a greater number of images which are part of the same indivisible body of work will also be accepted. You must send the images in jpg format to 1200px and 72dpi and quality 9. (No borders or watermarks)
- A short biography along with your photograph. (It must be written in the third person)
- Title and full text of the project with a minimum length of 300 words. (Texts with lesser number of words will not be accepted)
This is the information you need to start preparing your project for its presentation
To send it, you must compress the folder in .ZIP format and use our Wetransfer channel specially dedicated to the reception of works. Links or projects in PDF format will not be accepted. All presentations are carefully reviewed based on their content and final quality of the project or portfolio. If your work is selected for publication in the online version, it will be communicated to you via email and subsequently it will be published.
Thank You. We will contact you as soon as possible.
Submission
Dodho Magazine accepts submissions from emerging and professional photographers from around the world.
Their projects can be published among the best photographers and be viewed by the best professionals in the industry and thousands of photography enthusiasts. Dodho magazine reserves the right to accept or reject any submitted project. Due to the large number of presentations received daily and the need to treat them with the greatest respect and the time necessary for a correct interpretation our average response time is around 5/10 business days in the case of being accepted. This is the information you need to start preparing your project for its presentation.
To send it, you must compress the folder in .ZIP format and use our Wetransfer channel specially dedicated to the reception of works. Links or projects in PDF format will not be accepted. All presentations are carefully reviewed based on their content and final quality of the project or portfolio. If your work is selected for publication in the online version, it will be communicated to you via email and subsequently it will be published.