Reality behind the touristic veil at the city of Chania by Giannis Angelakis

Photographs are fleeting moments that are kept for the purpose of telling stories. As a photojournalist and a street photographer, I like to photograph the moments that take place where I live, at Chania, a small city on the island of Crete, at the south corner of Greece.
Reality behind the touristic veil at the city of Chania | Giannis Angelakis

Magazine

Our printed editions, circulating throughout various galleries, festivals and agencies are dipped in creativity.

The spirit of DODHO’s printed edition is first and foremost an opportunity to connect with a photographic audience that values the beauty of print and those photographers exhibited within the pages of this magazine.

We invite professional and amateur photographers from all around the world to share their work in our printed edition.

https://www.dodho.com/wp-content/uploads/2024/09/ban30.jpg

Photographs are fleeting moments that are kept for the purpose of telling stories. As a photojournalist and a street photographer, I like to photograph the moments that take place where I live, at Chania, a small city on the island of Crete, at the south corner of Greece.

Streets are a large part of our everyday lives. In streets no matter how different we are, we coexist. Streets are the veins where all people circulate. In this sense, streets are the place that the richness of life becomes evident. But Crete is a touristic destination with sandy beaches and picturesque sunsets. 

Crete, in the years of the crisis became even more depended on the tourism industry. Everything seems to evolve around tourism. But in a way, the magnification of dependence of how the economy works from tourism makes Chania a less rich place, somehow reduced to an image that fits the idea tourists have of a touristic destination. 

The constant repetition of similar images of beautiful sunny beaches, glorious sunsets and almost caricaturistic portraits of “indigenous people” imprints in the minds of people that this is really Crete. It casts a shadow to everything else that doesn’t serve the dominant narrative. What is hidden is the richness of life, the stories and events where everyday people that live in Crete make meaning of their life. 

My effort is to bring back to the surface – as much as I can – all this richness of life that is hidden behind images of a touristic destination. In reality, what I believe is hidden are the real people behind the touristic product named Crete. And this is a problem. Because the more the touristic narrative prevails, the less important become all the other narratives which constitute the real lives of the people who live in the island. 

As a news reporter I am trying to connect the dots between everyday life and news combining street photography with photojournalism, capturing the news of everyday life, documenting news as moments with significance for the purpose of telling stories.  

Here, I have selected and present to you a mixture of photos that capture moments which I think make evident the richness of life in the city of Chania; The plurality of stories that are hidden behind the dominant touristic narrative.

Reality behind the touristic veil at the city of Chania | Giannis Angelakis

Reality behind the touristic veil at the city of Chania | Giannis Angelakis

Reality behind the touristic veil at the city of Chania | Giannis Angelakis

Reality behind the touristic veil at the city of Chania | Giannis Angelakis

Reality behind the touristic veil at the city of Chania | Giannis Angelakis

Reality behind the touristic veil at the city of Chania | Giannis Angelakis

Reality behind the touristic veil at the city of Chania | Giannis Angelakis

Reality behind the touristic veil at the city of Chania | Giannis Angelakis

Reality behind the touristic veil at the city of Chania | Giannis Angelakis

Reality behind the touristic veil at the city of Chania | Giannis Angelakis

Reality behind the touristic veil at the city of Chania | Giannis Angelakis

Reality behind the touristic veil at the city of Chania | Giannis Angelakis

Reality behind the touristic veil at the city of Chania | Giannis Angelakis

Reality behind the touristic veil at the city of Chania | Giannis Angelakis

Reality behind the touristic veil at the city of Chania | Giannis Angelakis

Reality behind the touristic veil at the city of Chania | Giannis Angelakis

Reality behind the touristic veil at the city of Chania | Giannis Angelakis

Reality behind the touristic veil at the city of Chania | Giannis Angelakis

Reality behind the touristic veil at the city of Chania | Giannis Angelakis

Reality behind the touristic veil at the city of Chania | Giannis Angelakis

Other Stories

stay in touch
Join our mailing list and we'll keep you up to date with all the latest stories, opportunities, calls and more.
We use Sendinblue as our marketing platform. By Clicking below to submit this form, you acknowledge that the information you provided will be transferred to Sendinblue for processing in accordance with their terms of use
We’d love to
Thank you for subscribing!
Submission
Dodho Magazine accepts submissions from emerging and professional photographers from around the world.
Their projects can be published among the best photographers and be viewed by the best professionals in the industry and thousands of photography enthusiasts. Dodho magazine reserves the right to accept or reject any submitted project. Due to the large number of presentations received daily and the need to treat them with the greatest respect and the time necessary for a correct interpretation our average response time is around 5/10 business days in the case of being accepted.
- Between 10/30 images of your best images, in case your project contains a greater number of images which are part of the same indivisible body of work will also be accepted. You must send the images in jpg format to 1200px and 72dpi and quality 9. (No borders or watermarks)
- A short biography along with your photograph. (It must be written in the third person)
- Title and full text of the project with a minimum length of 300 words. (Texts with lesser number of words will not be accepted)
This is the information you need to start preparing your project for its presentation
To send it, you must compress the folder in .ZIP format and use our Wetransfer channel specially dedicated to the reception of works. Links or projects in PDF format will not be accepted. All presentations are carefully reviewed based on their content and final quality of the project or portfolio. If your work is selected for publication in the online version, it will be communicated to you via email and subsequently it will be published.
Contact
How can we help? Got an idea or something you'd like share? Please use the adjacent form, or contact [email protected]
Thank You. We will contact you as soon as possible.
Submission
Dodho Magazine accepts submissions from emerging and professional photographers from around the world.
Their projects can be published among the best photographers and be viewed by the best professionals in the industry and thousands of photography enthusiasts. Dodho magazine reserves the right to accept or reject any submitted project. Due to the large number of presentations received daily and the need to treat them with the greatest respect and the time necessary for a correct interpretation our average response time is around 5/10 business days in the case of being accepted. This is the information you need to start preparing your project for its presentation.
To send it, you must compress the folder in .ZIP format and use our Wetransfer channel specially dedicated to the reception of works. Links or projects in PDF format will not be accepted. All presentations are carefully reviewed based on their content and final quality of the project or portfolio. If your work is selected for publication in the online version, it will be communicated to you via email and subsequently it will be published.
Get in Touch
How can we help? Do you have an idea or something you'd like to share? Please use the form provided, or contact us at [email protected]
Thank You. We will contact you as soon as possible.
WE WANT YOU TO SHOW US YOUR PHOTOGRAPHS SO WE CAN SHOW IT TO THE WORLD
AN AMAZING PROMOTIONAL TOOL DESIGNED TO EXPOSE YOUR WORK WORLDWIDE