Street photography by Joseph Atwere

My interest in still photography began in 2007. I bought my first camera which was a Canon 350D whilst on vacation in the US. I had quite a steep learning curve and spent many hours trying to get my head round the basics such as learning about f-stops etc.

Magazine

Our printed editions, circulating throughout various galleries, festivals and agencies are dipped in creativity.

The spirit of DODHO’s printed edition is first and foremost an opportunity to connect with a photographic audience that values the beauty of print and those photographers exhibited within the pages of this magazine.

We invite professional and amateur photographers from all around the world to share their work in our printed edition.

https://www.dodho.com/wp-content/uploads/2024/09/ban30.jpg

My name is Joseph Atwere, I am a London based street photographer.

My interest in still photography began in 2007. I bought my first camera which was a Canon 350D whilst on vacation in the US. I had quite a steep learning curve and spent many hours trying to get my head round the basics such as learning about f-stops etc.  During this time I tried all types of photography with varying degrees of success. I discovered street photography by chance whilst doing some online research.  I now take shots of people around London on a daily basis.

What I look out  for when I shoot on the streets are strange weird and unconventional people. If you stay out on the streets for long enough you are bound to find them.

When I walk  around London I scan crowded places and look for people who stand out. The adrenaline rush you get when you shoot on the streets in my opinion is immense. There is always a fear element when you put a camera in a strangers face. But also excitement when you strike lucky and get that shot. At times I have found this irrational fear to be all in my own mind and all part of the process.

Dodho(17)

At the start of 2011 I invested in a lighter more compact mirrorless camera, Fuji X100 for my street work. For me it was a complete game changer. Combined with a wrist strap it becomes an extension of my arm and a lot less intimidating than my DSLR camera for street work. This allows me to move on the streets more covertly and when I see my target I can shoot quickly. In terms of my work I do enjoy the more confrontational “in your face “type of street photography however more recently I tend to approach my subjects and ask to take a picture. Sometimes getting to know the subject can be as rewarding as taking the shot. Since 2012 I have been working on the street photography project under the guise of Jayninety on Flickr. I also publish my best work on social media sites such as G+ and 500px.com.

In terms of influences I have totally embraced the online community and regularly view work on sites like Flickr,500px and G+. There are so many talented street photographers out there and the ability to share work instantly and give and receive constructive feedback is a great motivator. In terms of photographers I admire the work of Vivian Maier, Elliot Erwitt, Robert Frank and Gary Winogrand. I am also inspired by more contemporary photographers such as Frank Jackson (LA), Rinzi Ruiz (Street Zen), Juergen Buergin, Rupert  Vandervell,  ifotog (Queen of Manhattan), GK Sholanke to name but a few.

I am currently doing a street portrait series and I plan to exhibit the best of the street photography project at some point in the not too distant future.

Press 'L' to view with Black Background. Dodho(18) Dodho(15) Dodho(14) Dodho(13) Dodho(10) Press 'L' to view with Black Background. Press 'L' to view with Black Background. Dodho(6) Press 'L' to view with Black Background. Press 'L' to view with Black Background. Press 'L' to view with Black Background. Press 'L' to view with Black Background. Press 'L' to view with Black Background. Press 'L' to view with Black Background. Press 'L' to view with Black Background. Press 'L' to view with Black Background.

4 comments

  • Paul Donohoe

    May 27, 2013 at 17:35

    What a great set of images here and an inspiring artist. thank you Happy I’ve discovered this site too!

  • Terry McBaadegg

    May 29, 2013 at 20:42

    Proper Booom! These are some beautiful images, love the timing, the connection and the sense of humor. More, where too?

  • Joseph Atwere

    Jun 2, 2013 at 22:32

    Thanks Terry and Paul for your comments. My website is under development. Check links on page to see more of my work.

  • Janssens serge

    Jul 4, 2013 at 16:20

    L’approche de ce genre de photographie que Joseph décrit ci-dessus et dont il se tire très très bien des énormes difficultés qu’en à sa réalisation.Me plais ,il a un sens inné du cadrage de la composition et surtout comme disait ,un certain Cartier Bresson ,l’instant du déclic .Je le félicite chaleureusement .

Comments are closed.

Other Stories

Submission
Dodho Magazine accepts submissions from emerging and professional photographers from around the world.
Their projects can be published among the best photographers and be viewed by the best professionals in the industry and thousands of photography enthusiasts. Dodho magazine reserves the right to accept or reject any submitted project. Due to the large number of presentations received daily and the need to treat them with the greatest respect and the time necessary for a correct interpretation our average response time is around 5/10 business days in the case of being accepted.
- Between 10/30 images of your best images, in case your project contains a greater number of images which are part of the same indivisible body of work will also be accepted. You must send the images in jpg format to 1200px and 72dpi and quality 9. (No borders or watermarks)
- A short biography along with your photograph. (It must be written in the third person)
- Title and full text of the project with a minimum length of 300 words. (Texts with lesser number of words will not be accepted)
This is the information you need to start preparing your project for its presentation
To send it, you must compress the folder in .ZIP format and use our Wetransfer channel specially dedicated to the reception of works. Links or projects in PDF format will not be accepted. All presentations are carefully reviewed based on their content and final quality of the project or portfolio. If your work is selected for publication in the online version, it will be communicated to you via email and subsequently it will be published.
Contact
How can we help? Got an idea or something you'd like share? Please use the adjacent form, or contact [email protected]
Thank You. We will contact you as soon as possible.
Submission
Dodho Magazine accepts submissions from emerging and professional photographers from around the world.
Their projects can be published among the best photographers and be viewed by the best professionals in the industry and thousands of photography enthusiasts. Dodho magazine reserves the right to accept or reject any submitted project. Due to the large number of presentations received daily and the need to treat them with the greatest respect and the time necessary for a correct interpretation our average response time is around 5/10 business days in the case of being accepted. This is the information you need to start preparing your project for its presentation.
To send it, you must compress the folder in .ZIP format and use our Wetransfer channel specially dedicated to the reception of works. Links or projects in PDF format will not be accepted. All presentations are carefully reviewed based on their content and final quality of the project or portfolio. If your work is selected for publication in the online version, it will be communicated to you via email and subsequently it will be published.
Get in Touch
How can we help? Do you have an idea or something you'd like to share? Please use the form provided, or contact us at [email protected]
Thank You. We will contact you as soon as possible.
WE WANT YOU TO SHOW US YOUR PHOTOGRAPHS SO WE CAN SHOW IT TO THE WORLD
AN AMAZING PROMOTIONAL TOOL DESIGNED TO EXPOSE YOUR WORK WORLDWIDE
PGlmcmFtZSBkYXRhLXctdHlwZT0iZW1iZWRkZWQiIGZyYW1lYm9yZGVyPSIwIiBzY3JvbGxpbmc9Im5vIiBtYXJnaW5oZWlnaHQ9IjAiIG1hcmdpbndpZHRoPSIwIiBzcmM9Imh0dHBzOi8veGs1NHUubWp0Lmx1L3dndC94azU0dS94dXM2L2Zvcm0/Yz1lNmM1YzIzOCIgd2lkdGg9IjEwMCUiIHN0eWxlPSJoZWlnaHQ6IDA7Ij48L2lmcmFtZT4NCg0KPHNjcmlwdCB0eXBlPSJ0ZXh0L2phdmFzY3JpcHQiIHNyYz0iaHR0cHM6Ly9hcHAubWFpbGpldC5jb20vcGFzLW5jLWVtYmVkZGVkLXYxLmpzIj48L3NjcmlwdD4=