Afrikaburn by Stu Shapiro

Ben Heppner once said “Figure out what you're passionate about. If you're not passionate about something, go find it.

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Our printed editions, circulating throughout various galleries, festivals and agencies are dipped in creativity.

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We invite professional and amateur photographers from all around the world to share their work in our printed edition.

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Ben Heppner once said “Figure out what you’re passionate about. If you’re not passionate about something, go find it. Because we do not need more unengaged boring people to inhabit this planet.”  Heppner would have had a fit of delight if he had run into the passionate Stu Shapiro at AfrikaBurn this year.

Wind, hail, sandstorms, black clouds and rain swept through the make-shift village in Tankwa Townin the Karoo desert during the last few days of April. The strange weather and giant Dali-like sculptures planted in the barren desert gave the temporary village, created by special beings, an eerie apocalyptic feel. With his vintage, sand proof, steam-punk goggles, black leather jacket and a complicated meter-high steel contraption strapped to his back, creative photographer, Stu Shapiro traipsed through this setting like a robot-warrior character from a science fiction space film.

Half naked, body painted, umbrella wielding, bicycle riding, creative souls were motioned by curiosity and flocked to him like moths to a flame. He had masterfully enticed his subjects “into” his mobile photography studio and they were delighted to be there. His device, which he aptly named the “Walkingfashion Studio Rig”, lured his targets into his energy field and allowed him to shoot the madness which is Afrika Burns in a completely new light. Shapiro, inspired by the creative spirit of the event and two photographer, Soloksy and Schwabel, had this year managed to turn his passion for photographing festival goers into a performance piece itself which amused and amazed others.He said “I become one with Afrikaburn.”

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Shapiro, who spent weeks before the event designing his contraption actually considered three separate conceptsbefore deciding on his “backpack” mobile studio. The design of the piece was influenced by his two months back packing and photographing South America in December 2011 where weight distribution was always an issue, this and the concept of a baby carrier which can comfortably hold over 10kg of weight on a person’s back. The piece weighed 15kg and carrying it for four days left him with bruises and rash scabs, but his passion for the medium allowed him to persevere and deliver 330 epically orgasmic photographs of the ‘burners’.

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The photographs Shapiro shot that weekend are unlike his usualwork, which he captures by darting through festival crowds like a sneaky ninja. He usually takes on a very voyeuristic approach to catch the precious miniscule details and moments which emanate the essence of each individual festival. This time he had volunteer subjects posefor him in front of his unique set up, the results being something of beauty which could easily appear in an avant-garde fashion magazine. The images are sleek and crisp with bold bursting colours which contrast magnificently with theblue-grey cloudy backdrop.Shapiro explained “it’s about bringing fashion studio equipment to capture beauty and character while not just being another photographer, another voyeur, but becoming an art installation”.

One should not underestimate the potential of this upcoming photographer/engineer, as this case can be seen as just the beginning of Shapiro’s goal to take photography and the relationship between photographer and his festival subjects to a new level. With a creative photographer like this, who strives to think outside the box, the possibilities are endless. [Official Website]
 

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Dodho Magazine accepts submissions from emerging and professional photographers from around the world.
Their projects can be published among the best photographers and be viewed by the best professionals in the industry and thousands of photography enthusiasts. Dodho magazine reserves the right to accept or reject any submitted project. Due to the large number of presentations received daily and the need to treat them with the greatest respect and the time necessary for a correct interpretation our average response time is around 5/10 business days in the case of being accepted. This is the information you need to start preparing your project for its presentation.
To send it, you must compress the folder in .ZIP format and use our Wetransfer channel specially dedicated to the reception of works. Links or projects in PDF format will not be accepted. All presentations are carefully reviewed based on their content and final quality of the project or portfolio. If your work is selected for publication in the online version, it will be communicated to you via email and subsequently it will be published.
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