The last Tsaatan by Rémi Chapeaublanc

In 2011, Rémi Chapeaublanc set off to find the Tsaatan people, nomadic reindeer herders, straddling the border of Northern Mongolia.
The last Tsaatan by Rémi Chapeaublanc

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In 2011, Rémi Chapeaublanc set off to find the Tsaatan people, nomadic reindeer herders, straddling the border of Northern Mongolia.

Amounting to no more than 282 people in the world, this tribe’s way of life has been disrupted by the transformation of its ancestral land into a national park. Hunting, passage and woodcutting are now prohibited there; total bans contradict their centuries-old traditions.

Since his first encounter, Rémi Chapeaublanc has continued to go back there, sharing their customs and everyday life for several weeks at a time. With this new photo series, he raises concerns about the future of the Tsaatan people, dealing with the tide of modernity in Mongolia, each year distancing them a little further from their traditional way of life. If the tribe accepts and even laughs at technological progress, it flatly rejects urban life, and opinion is divided regarding tourism. Their life in the Taiga represented absolute freedom. Now it is complex and in particular threatened.

Both humane and engaged, this series of photographs is nevertheless graphic with a particularly aesthetical and simple approach. This medium format work, produced traditionally with black and white film and then digitally enhanced, demonstrates the artist’s desire to adapt their anachronistic way of life. Rémi Chapeaublanc, who befriended a number of them, now takes the public to task asking: what will be left of the Tsaatan people?

The last Tsaatan | Rémi Chapeaublanc

About Rémi Chapeaublanc

Self-taught photographer Rémi Chapeaublanc was destined for a scientific career in bioinformatics. He continued to use the Cartesian approach from this training adding a sensitive, people-centred dimension the day he decided to be a photographer. Curious to learn about others, he travels without an interpreter and with no prior knowledge of the languages of the countries concerned. Facial expressions and images suffice to communicate. That is how he uses his talents in Canada, Norway, Burkina Faso, Nepal and Laos.For his series Gods & Beasts (2011), he crossed Europe and Asia reaching Mongolia. Inside the yurt or outside, at nightfall, he produced portraits of Kazakh nomadic herders and their animals without ever resorting to retouching, despite working in digital. For this most recent series The Last Tsaatan, Rémi Chapeaublanc has chosen to portray a nomadic people again: the Tsaatans, sharing their everyday life, simple happiness and desire to transmit their skills. [Official Website]

The last Tsaatan by Rémi Chapeaublanc

I am completely in awe of these people. I find that their simplicity of life and determination are an exceptional source of inspiration. In spite of my concern for their future, I am convinced that they have the strength and intelligence for their culture to survive.

The last Tsaatan by Rémi Chapeaublanc

The last Tsaatan by Rémi Chapeaublanc

The last Tsaatan by Rémi Chapeaublanc

The last Tsaatan by Rémi Chapeaublanc

The last Tsaatan by Rémi Chapeaublanc

The last Tsaatan by Rémi Chapeaublanc

The last Tsaatan by Rémi Chapeaublanc

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Submission
Dodho Magazine accepts submissions from emerging and professional photographers from around the world.
Their projects can be published among the best photographers and be viewed by the best professionals in the industry and thousands of photography enthusiasts. Dodho magazine reserves the right to accept or reject any submitted project. Due to the large number of presentations received daily and the need to treat them with the greatest respect and the time necessary for a correct interpretation our average response time is around 5/10 business days in the case of being accepted. This is the information you need to start preparing your project for its presentation.
To send it, you must compress the folder in .ZIP format and use our Wetransfer channel specially dedicated to the reception of works. Links or projects in PDF format will not be accepted. All presentations are carefully reviewed based on their content and final quality of the project or portfolio. If your work is selected for publication in the online version, it will be communicated to you via email and subsequently it will be published.
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