Tina Salipante’s Orphic Evanescences: Proustian Time and Feminine Force in Photography

Orphic evanescences is a project that i conceived with the aim of exploring the fleeting nature of existence through the medium of photography, emphasizing the connection between the proustian concept of time and the principle of the feminine as a creative force.

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Orphic evanescences is a project that i conceived with the aim of exploring the fleeting nature of existence through the medium of photography, emphasizing the connection between the proustian concept of time and the principle of the feminine as a creative force.

The project comes to life through the fascinating technique of ink transfer, a choice that gives the images an ethereal quality and a feeling of ephemerality. The idea was born from my reflection on the transitory nature of life and the desire to capture that fleeting moment in which beauty and poetry manifest themselves with greater intensity. Visual immortality, the key theme of the project, becomes the means through which to explore the boundary between reality and dreams.

The creation process involved several phases. First of all, i carefully selected the subjects and symbolic elements that represent the fragility and elegance of existence. The female figures wrapped in mysterious atmospheres act as an emotional anchor, while symbols such as stairs, eyes and evanescent faces create layers of meaning that challenge the linearity of time.

The ink transfer technique was chosen to add an element of blur and evanescence to the images. This process involves printing photographs onto transfer paper, subsequently transferring the image to a different medium, creating a sort of “visual transcendence”. This method helps to make the images ethereal, almost like fragments of memories that dissolve into memory.

The proustian concept of time is inserted through attention to detail, seeking moments of intense emotional resonance that can reveal layers of past experiences. At the same time, the principle of the feminine permeates the project through the choice to represent female figures as archetypes of creativity and strength in a world that escapes temporal definition.

In “orphic evanescences,” i invite viewers to immerse themselves in a world where beauty and the ephemeral merge, a visual story suspended between the heartbeat of time and the eternity of the image.

About Tina Salipante

Tina Salipante is a self-taught Italian photographer who began her artistic journey several years ago. From the start, she has always seen photography as a powerful means of expression, a universal language that transcends linguistic barriers. Her background as an archaeologist has greatly influenced her artistic perception. Archaeology has taught her to look beyond the surface, to uncover hidden stories, and to enhance the cultural significance of every detail. This approach is reflected in her photographs, where she strives to capture not just the visible image but also the depth and story behind it. Her artistic journey is a quest for connections between the past and present, making photography a bridge between different art forms, a way to explore the richness of human culture in new and exciting ways.

Throughout her journey, Salipante has had the opportunity to explore various techniques and styles. Each shot she creates is the result of a continuous search for inspiration, artistic challenges, and a deep desire to share her unique vision with the world.

Time serves as a central element in her artistic exploration. In her works, she endeavors to encapsulate not just individual moments but also the ephemeral nature of time itself and its profound influence on our perceptions and experiences.

Drawing inspiration from Marcel Proust’s reflections, she integrates the concept of time as a narrative element within her photographs. Proust teaches us that the past is never wholly lost and that memories can be evoked through sensory stimuli. In her imagery, Salipante seeks to capture not merely the tangible reality but also the essence of what has been and what is yet to come.

Through the interplay of light, shadows, and natural elements, she crafts a visual dialogue between the present and the past. The nuances of light evoke atmospheres reminiscent of memories or reflections on the passage of time. Moreover, the selection of subjects inherently tied to the concept of time, such as landscapes undergoing seasonal transformations or objects steeped in history, further underscores this connection.

Time thus emerges as a common thread weaving through her works, inviting viewers to contemplate the fleetingness of moments and the perpetual evolution of the world around us. In this context, photography becomes a means of capturing transient moments, establishing a visual archive of experiences that fade into the past.

In parallel, the recurring presence of portraits of women in her compositions extends beyond individual identities to symbolize the principle of the feminine as a universal concept. These women are not depicted as specific individuals but rather as embodiments of strength, beauty, and resilience.

Each portrait serves as a conduit for exploring the symbiotic relationship between humanity and nature, reflecting the natural cycle of life and its inherent beauty. The inclusion of women in her compositions underscores the intrinsic strength of creativity, intuition, and emotional connectedness with the world.

Ultimately, the presence of women’s portraits in Salipante’s work emphasizes the principle of the feminine as a universal force, celebrating its transformative power and highlighting its integral role in fostering balance and harmony within the world she portrays.

Through her works, Tina Salipante seeks to offer a space for contemplation and reflection, inviting observers to explore the multiple meanings that lie behind each image. Her compositions are an invitation to interpret and connect with the stories that emerge from the complexity of the world she photographs.

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Submission
Dodho Magazine accepts submissions from emerging and professional photographers from around the world.
Their projects can be published among the best photographers and be viewed by the best professionals in the industry and thousands of photography enthusiasts. Dodho magazine reserves the right to accept or reject any submitted project. Due to the large number of presentations received daily and the need to treat them with the greatest respect and the time necessary for a correct interpretation our average response time is around 5/10 business days in the case of being accepted. This is the information you need to start preparing your project for its presentation.
To send it, you must compress the folder in .ZIP format and use our Wetransfer channel specially dedicated to the reception of works. Links or projects in PDF format will not be accepted. All presentations are carefully reviewed based on their content and final quality of the project or portfolio. If your work is selected for publication in the online version, it will be communicated to you via email and subsequently it will be published.
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