Bhandara -The Golden Festival of Jejuri by Arun Saha

“Sonyachi Jejuri”- as the holy town Jejuri is called aptly by the native Maharashtrians, which means “The Golden Jejuri”, comes alive when one looks from the roof top of the Khandoba temple at the porch, at the stairs
Bhandara -The Golden Festival of Jejuri / Arun Saha

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“Sonyachi Jejuri”- as the holy town Jejuri is called aptly by the native Maharashtrians, which means “The Golden Jejuri”, comes alive when one looks from the roof top of the Khandoba temple at the porch, at the stairs, at the roads, at the entire Jejuri city and at the people around it when they gather here in myriads during the sacred day of Somawati Amavashya(no moon day that falls on Monday) to pay their reverence to their family god Khandoba.

A veil of golden yellow turmeric powder engulfs the entire town in combination with the holy chants “yelkot yelkot jai malhar” “sadanandache yelkot” offered by his dedicated followers. The complete area starts reverberate with faith and devotion. The entire atmosphere gets soaked into the mood of a devine celebration with the purity of golden turmeric.

Lord Khandoba , regarded as the “god of Jejuri” is probably be the most versatile and widely acknowledged god being worshipped across many regions, religions, casts and communities. He is the most popular Kul Devata (family god) among one of the oldest shepherd tribe “Dhangar” and the patron deity of Deshastha Brahmin too. People from other communities like warriors, farming and herding castes too keep their high regards towards him. The cult of Khandoba has prominent linkages with Vaishnava and Jain traditions despite him being worshipped as Martanda Bhairava, a form of Lord Shiva. In the temple of Jejuri, surprisingly both the deities of him and his wife Malsha is in the form of Lingas (one of Lord Shiva’s most known statue form) which are covered with decorated silver masks. A part of the Muslims too consider him as their god Mallu Khan and been seen offering goat flesh in the temple areas. This way people consider him as one of the rare non-vegetarian Indian god. Surya and Kartikeya Skanda are his other depictions too.

Bhandara -The Golden Festival of Jejuri by Arun Saha

Bhandara -The Golden Festival of Jejuri / Arun Saha
Bhandara -The Golden Festival of Jejuri / Arun Saha

Summing up these all makes the place a universal pilgrimage and an utmost colourful offbeat rural festival. But the offering of turmeric powder to paint the city golden yellow has its many reasons, logics and traditions. Many believe the tradition came from the yore old great Indian tradition of applying turmeric to the bride and groom as an antiseptic agent to protect their immunities as the festival is to celebrate the wedding ritual of Lord Khandoba and his wife Malsha. Some believe it to be the offering respect for his being from the Surya- the symbol of power and brightness. Many paintings depict him riding a horse with a bowl full of turmeric powder in the hand may serve the reason of the amber golden celebration.
It is believed that Khandoba is the god of Sakamabhakti, which means the god who fulfills all the desires of his devotees. In turn, devotees offer him penance or sacrifice in the form of various self inflicted religious rituals like mortification of flesh, bare foot pilgrimage, piercing the body, whipping oneself in public as a part of their Ugra Bhakti(violent devotion).

Bhandara -The Golden Festival of Jejuri / Arun Saha
Bhandara -The Golden Festival of Jejuri / Arun Saha

On the very auspicious day, a Palkhi(palanquin) is taken out from the main temple situated at the hilltop carrying the idols of Lord Khandoba and his wife Malsha for a holy bath in the river Karha. The procession climbs down the 200 steep stairs those connect the temple to the ground level along with the protective stone walls. It continues amidst the devotees’ religious chant mixed with their Bhandara(turmeric powder mixed with dry coconut) offering. A golden yellow cloud prevails everywhere the procession goes through. With the holy dip, the ritual of the Khandoba marriage is recreated. At the end of the day, the idols are taken back to the shrine. A series of thousands of lamps get lightened on the spectacularly constructed Deepmalas(stone structure to place burning oil lamp on ) to welcome the gods to their abode and brings up a divine atmosphere around the temple. Thus, Jejuri influences the heart of millions with its Midas touch.

Bhandara -The Golden Festival of Jejuri / Arun Saha
Bhandara -The Golden Festival of Jejuri / Arun Saha

About Arun Saha

Veteran photographer to witness the Indo-Pak war of 1999; secured his photography diploma from The Govt. of India & completed Masters in the field of Journalism & Mass Communication; has co-founded Fotorbit along with Tania Chatterjee to provide the Photography Tour & Workshop a brand new dimension. [Official Website]

Bhandara -The Golden Festival of Jejuri / Arun Saha
Bhandara -The Golden Festival of Jejuri / Arun Saha

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Bhandara -The Golden Festival of Jejuri / Arun Saha
Bhandara -The Golden Festival of Jejuri / Arun Saha

Bhandara -The Golden Festival of Jejuri / Arun Saha
Bhandara -The Golden Festival of Jejuri / Arun Saha

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Dodho Magazine accepts submissions from emerging and professional photographers from around the world.
Their projects can be published among the best photographers and be viewed by the best professionals in the industry and thousands of photography enthusiasts. Dodho magazine reserves the right to accept or reject any submitted project. Due to the large number of presentations received daily and the need to treat them with the greatest respect and the time necessary for a correct interpretation our average response time is around 5/10 business days in the case of being accepted. This is the information you need to start preparing your project for its presentation.
To send it, you must compress the folder in .ZIP format and use our Wetransfer channel specially dedicated to the reception of works. Links or projects in PDF format will not be accepted. All presentations are carefully reviewed based on their content and final quality of the project or portfolio. If your work is selected for publication in the online version, it will be communicated to you via email and subsequently it will be published.
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