Edward Steichen: Twentieth-Century Photographer

Lincoln (Oct 8 – Mar 26) DeCordova Sculpture Park and Museum is pleased to present the upcoming exhibition Edward Steichen: Twentieth-Century Photographer.

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DeCordova Sculpture Park and Museum is pleased to present the upcoming exhibition Edward Steichen: Twentieth-Century Photographer.

Edward Steichen (1879-1973) is known for his role in expanding the breadth of twentieth-century photography through his memorable images and his work as a gallery director and museum curator.

Steichen was a painter, horticulturalist, museum curator, graphic designer, publisher, and film director. He also served as a military photographer in both World Wars, and lived a life that embraced a century transformed by modernization. On view in the James and Audrey Foster Galleries, the exhibition is drawn from deCordova’s permanent collection, and features important loans from private collectors and select institutions.

The majority of photographs included in this show were made from Steichen’s original negatives and printed after his death in the 1980s by photographer George Tice. The exhibition also features a select number of vintage prints printed by Steichen in the 1910s and 1920s that reveal the lush interpretations he made with experimental printing techniques.

From his early Pictorialist images with their painterly quality, to his decades-long work as a commercial photographer for Condé Nast, Steichen explored the full range of the photographic medium. In his role as the Director of Photography at the Museum of Modern Art, New York, he often reproduced and integrated other photographers’ work into groundbreaking exhibitions that reflected his curatorial practice. The combined aspects of his career as a photographer and curator positioned Steichen to become a controversial yet prescient advocate for photography’s ability to record and amplify human observation, endeavor, and creativity.
The exhibition includes portraits of glamorous celebrities and socialites, still-life photographs of plants and flowers, dynamic cityscapes, and commercial advertisements. Also on view are Steichen’s portraits of fellow artists and writers that reveal his place among avant-garde cultural communities in New York and Europe. Edward Steichen also explores his work as the head of the Naval Aviation Photographic Unit in World War II, and traces his role at the Museum of Modern Art, NY where he curated over forty exhibitions. The aesthetic range of the images shows Steichen’s experimentation throughout his career with new techniques for lighting, composing, and printing photographs.
Edward Steichen continues deCordova’s longstanding commitment to the exhibition and collection of important photographic works. The exhibition opens to the public on October 7, 2016 and will be on view until March 26, 2017.

self-portrait
Edward Steichen, Self-Portrait with Studio Camera, 1917; printed 1982, silver gelatin print, 13 1/8 x 10 5/8 inches (image and paper), Gift of Stephen L. Singer and Linda G. Singer.

Edward Steichen. Lotus, Mount Kisco, New York, 1915; printed 1982, silver gelatin print, 13 1/4 x 10 1/2 inches (image & paper), Gift of Diane Singer in honor of the 8-31- 97 marriage of Diane Singer to Eric Pearlman.
Edward Steichen. Lotus, Mount Kisco, New York, 1915; printed 1982, silver gelatin print, 13 1/4 x 10 1/2 inches (image & paper), Gift of Diane Singer in honor of the 8-31- 97 marriage of Diane Singer to Eric Pearlman.

DeCordova Sculpture Park and Museum

October 7, 2016 – March 26, 2017

51 Sandy Pond Rd Lincoln, MA 01773

www.decordova.org

Edward Steichen. Alfred Stieglitz, 1915; printed 1982, silver gelatin print, 9 5/8 x 7 3/4 inches (image and paper), Gift of Stephen L. Singer and Linda G. Singer.
Edward Steichen. Alfred Stieglitz, 1915; printed 1982, silver gelatin print, 9 5/8 x 7 3/4 inches (image and paper), Gift of Stephen L. Singer and Linda G. Singer.

Edward Steichen, Brancusi, Voulangis, France, c. 1922; printed 1987, silver gelatin print, 13 x 10 1/2 inches (image and paper), Gift of Stephen L. Singer and Linda G. Singer.
Edward Steichen, Brancusi, Voulangis, France, c. 1922; printed 1987, silver gelatin print, 13 x 10 1/2 inches (image and paper), Gift of Stephen L. Singer and Linda G. Singer.

Edward Steichen, The Blue Sky, Long Island, New York, 1923; printed 1987, silver gelatin print, 9 1/2 x 7 1/4 inches (image and paper), Gift of Stephen L. Singer and Linda G. Singer.
Edward Steichen, The Blue Sky, Long Island, New York, 1923; printed 1987, silver gelatin print, 9 1/2 x 7 1/4 inches (image and paper), Gift of Stephen L. Singer and Linda G. Singer.

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Submission
Dodho Magazine accepts submissions from emerging and professional photographers from around the world.
Their projects can be published among the best photographers and be viewed by the best professionals in the industry and thousands of photography enthusiasts. Dodho magazine reserves the right to accept or reject any submitted project. Due to the large number of presentations received daily and the need to treat them with the greatest respect and the time necessary for a correct interpretation our average response time is around 5/10 business days in the case of being accepted. This is the information you need to start preparing your project for its presentation.
To send it, you must compress the folder in .ZIP format and use our Wetransfer channel specially dedicated to the reception of works. Links or projects in PDF format will not be accepted. All presentations are carefully reviewed based on their content and final quality of the project or portfolio. If your work is selected for publication in the online version, it will be communicated to you via email and subsequently it will be published.
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