Helmut Newton: Portraits of voyeurism and sensuality

Helmut Newton, always a worshiper and lover of beauty, knew how to capture it better than anyone with his camera. His works crossed boundaries over and over again, demonstrating the diverse facets of women who were seeking their new identity during the sexual revolution of the moment.
Portrait from his grave site by his wife, Alice Springs. | Image source: Wikipedia

Magazine

Our printed editions, circulating throughout various galleries, festivals and agencies are dipped in creativity.

The spirit of DODHO’s printed edition is first and foremost an opportunity to connect with a photographic audience that values the beauty of print and those photographers exhibited within the pages of this magazine.

We invite professional and amateur photographers from all around the world to share their work in our printed edition.

https://www.dodho.com/wp-content/uploads/2024/09/ban30.jpg

Helmut Newton, always a worshiper and lover of beauty, knew how to capture it better than anyone with his camera. His works crossed boundaries over and over again, demonstrating the diverse facets of women who were seeking their new identity during the sexual revolution of the moment.

Nudes, eroticism and chiaroscuros that border the boundaries, suggestive poses, looks that attract; such are the photographs of Helmut Newton. His brand was, and will continue to be, the controversy.

Portrait from his grave site by his wife, Alice Springs. | Image source: Wikipedia

Born as Helmut Neustädter on October 31, 1920 in Berlin, Germany to a well-off Jewish family. His father was a successful button maker. He studied at the Heinrich von Treitschke Realgymnasium, until the “Laws of Nuremberg”, during the Nazi era, imposed the separation between Aryan and Jewish children.

At age 12, he purchased his first camera with his savings. His father didn’t like that Helmut wanted to be a photographer, so he sent him to Berlin’s North American school. Even so, he was rebellious: as Helmut himself tells in his biography, “from a young age he was fascinated by the beauty of the Prussian maids and the elegant women of summer resorts and high society clubs, as well as the seductive image of the prostitution embodied in the streets of Berlin, which he had witnessed many times.” He was interested in women and photography, so he dropped out of school soon. In 1936, he became a student of the photographer “Yva” (whose name was Elsa Simon), known for her nude portraits.

Yva was a woman ahead of her time. She played with the camera as much as she did with the sexuality of her portraits. However, at that time there was no one who could outsmart or face the Nazis, so a few years later she would die in the Auschwitz concentration camp. After two years of learning with Yva, Helmut leaves Berlin in December of 1938 and goes to Singapore at age 18, due to the beginning of the persecution of the Jews.

In Singapore, he got a job as a newspaper photographer in the Singapore Straits Times, where he worked for only two months, as the editor-in-chief fired him. Some argue that it was Helmut who quit for not liking the job. Regardless of what facts are real, shortly after, in 1940, he was deported to Australia where he worked in the army for 5 years, until the end of World War II. He settled in Melbourne, where he set up his photography studio and meets actress June Brunell, whom he married in 1948.

Not long after, he returned to Europe and stayed in London for two years, but it was in France (where he would reside for 25 years) where he found his way as a photographer and would end up being one of the most requested by the French, American and German editions from Vogue magazine.

In May of 1961 he began working regularly for the French edition of Vogue, which published his photos during the 25 years he lived in Paris, giving him his status as the genius of twentieth-century photography. He also worked for other magazines such as Elle, Marie Claire, Jardin des Modes and Nova.

It was then that he learned to combine the Haute Couture with sexuality, artistic nudes and women dressed with men’s clothing.

“If a photographer says he is not a voyeur, he is an idiot…”

The controversial photo session of Elizabeth Taylor and Jerry Hall on the beach, as well as the photos of Cindy Crawford in a bathing suit were made by him. His photographs were minimalist, clean and mostly black and white. They are, seemingly, images of simplicity. He turns each of his photographed subjects into true sculptures. Their scenarios don’t go unnoticed, many are very common spaces: a kitchen, a mechanical workshop, the street. Always very well-chosen locations.

“I have always avoided photographing in the studio. A woman does not spend her life sitting or standing in front of a seamless white paper background”

Critics began to accuse and signal him as a sexist man who reified women, claiming that his pattern of photography were naked women and sexual positions. There were others who interpreted his work in a completely opposite way: a claim to women as beings with more sureness of their bodies and their sexuality; mighty women who could wear men’s clothes and remain feminine. Helmut is considered the founder of porn-chic. His photographs also projected other controversial subjects such as lesbianism, sadomasochism and fetishism.

“I am very attracted by bad taste-it is a lot more exciting than that supposed good taste which is nothing more than a standardized way of looking at things.”

His last years would be spent between Los Angeles and Monte Carlo. Newton died in 2004 due to injuries from a car accident at the Chateau Marmont in Hollywood. He received, throughout his life, awards from Germany, the United States and even Japan.

Other Stories

stay in touch
Join our mailing list and we'll keep you up to date with all the latest stories, opportunities, calls and more.
We use Sendinblue as our marketing platform. By Clicking below to submit this form, you acknowledge that the information you provided will be transferred to Sendinblue for processing in accordance with their terms of use
We’d love to
Thank you for subscribing!
Submission
Dodho Magazine accepts submissions from emerging and professional photographers from around the world.
Their projects can be published among the best photographers and be viewed by the best professionals in the industry and thousands of photography enthusiasts. Dodho magazine reserves the right to accept or reject any submitted project. Due to the large number of presentations received daily and the need to treat them with the greatest respect and the time necessary for a correct interpretation our average response time is around 5/10 business days in the case of being accepted.
- Between 10/30 images of your best images, in case your project contains a greater number of images which are part of the same indivisible body of work will also be accepted. You must send the images in jpg format to 1200px and 72dpi and quality 9. (No borders or watermarks)
- A short biography along with your photograph. (It must be written in the third person)
- Title and full text of the project with a minimum length of 300 words. (Texts with lesser number of words will not be accepted)
This is the information you need to start preparing your project for its presentation
To send it, you must compress the folder in .ZIP format and use our Wetransfer channel specially dedicated to the reception of works. Links or projects in PDF format will not be accepted. All presentations are carefully reviewed based on their content and final quality of the project or portfolio. If your work is selected for publication in the online version, it will be communicated to you via email and subsequently it will be published.
Contact
How can we help? Got an idea or something you'd like share? Please use the adjacent form, or contact [email protected]
Thank You. We will contact you as soon as possible.
Submission
Dodho Magazine accepts submissions from emerging and professional photographers from around the world.
Their projects can be published among the best photographers and be viewed by the best professionals in the industry and thousands of photography enthusiasts. Dodho magazine reserves the right to accept or reject any submitted project. Due to the large number of presentations received daily and the need to treat them with the greatest respect and the time necessary for a correct interpretation our average response time is around 5/10 business days in the case of being accepted. This is the information you need to start preparing your project for its presentation.
To send it, you must compress the folder in .ZIP format and use our Wetransfer channel specially dedicated to the reception of works. Links or projects in PDF format will not be accepted. All presentations are carefully reviewed based on their content and final quality of the project or portfolio. If your work is selected for publication in the online version, it will be communicated to you via email and subsequently it will be published.
Get in Touch
How can we help? Do you have an idea or something you'd like to share? Please use the form provided, or contact us at [email protected]
Thank You. We will contact you as soon as possible.
WE WANT YOU TO SHOW US YOUR PHOTOGRAPHS SO WE CAN SHOW IT TO THE WORLD
AN AMAZING PROMOTIONAL TOOL DESIGNED TO EXPOSE YOUR WORK WORLDWIDE