I found fireflies in my dream, talking to a strange, drunk and dead man! by Fábio Miguel Roque

In 2016, I published my "Fireflies" work far the first time, in the form of a book, in an effort to describe the troubled time I was in. I found myself in the turmoil of a divorce, the separation from my son, a change of job, the move another place to live and efforts to adapt to this situation and pick up life.
© Fábio Miguel Roque

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Our printed editions, circulating throughout various galleries, festivals and agencies are dipped in creativity.

The spirit of DODHO’s printed edition is first and foremost an opportunity to connect with a photographic audience that values the beauty of print and those photographers exhibited within the pages of this magazine.

We invite professional and amateur photographers from all around the world to share their work in our printed edition.

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In 2016, I published my “Fireflies” work far the first time, in the form of a book, in an effort to describe the troubled time I was in.

I found myself in the turmoil of a divorce, the separation from my son, a change of job, the move another place to live and efforts to adapt to this situation and pick up life. Now, two years later, I want to review “Fireflies” and reconnect with a fresh view, also because this specific project can be considered as a prologue of my parallel work in progress titled “Desassossego” (“Restlessness”).

In restless changing world, every time when we switch on the news we can observe frightening messages about terrorism, economic crises, migration, the rise of the right wing and environmental issues. At the same time, most of us can distance ourselves from the problems of the world and are occupied with our own personal problems. Is this an act of selfishness? Maybe. It’s apparently our survival mechanisms.

Against that backdrop, after being in limbo far a while, trying to decide what to do next, “I found fireflies in my dream, talking to a strange, drunk and dead man!” appears in my dreamscape. I can’t remember my dreams but sorne frames are reprojected and mixed in my daydreams to alternative realities and absurd scenarios. I always had a fascination of observing life from the edge of the cliff.

From that cliff I sing this song of images, a sad and lonely song, longing far better days. [Official Website]

© Fábio Miguel Roque

© Fábio Miguel Roque

© Fábio Miguel Roque

© Fábio Miguel Roque

© Fábio Miguel Roque

© Fábio Miguel Roque

© Fábio Miguel Roque

© Fábio Miguel Roque

© Fábio Miguel Roque

© Fábio Miguel Roque

© Fábio Miguel Roque

© Fábio Miguel Roque

© Fábio Miguel Roque

© Fábio Miguel Roque

© Fábio Miguel Roque

© Fábio Miguel Roque

© Fábio Miguel Roque

© Fábio Miguel Roque

© Fábio Miguel Roque

© Fábio Miguel Roque

© Fábio Miguel Roque

© Fábio Miguel Roque

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Dodho Magazine accepts submissions from emerging and professional photographers from around the world.
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Submission
Dodho Magazine accepts submissions from emerging and professional photographers from around the world.
Their projects can be published among the best photographers and be viewed by the best professionals in the industry and thousands of photography enthusiasts. Dodho magazine reserves the right to accept or reject any submitted project. Due to the large number of presentations received daily and the need to treat them with the greatest respect and the time necessary for a correct interpretation our average response time is around 5/10 business days in the case of being accepted. This is the information you need to start preparing your project for its presentation.
To send it, you must compress the folder in .ZIP format and use our Wetransfer channel specially dedicated to the reception of works. Links or projects in PDF format will not be accepted. All presentations are carefully reviewed based on their content and final quality of the project or portfolio. If your work is selected for publication in the online version, it will be communicated to you via email and subsequently it will be published.
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