Illuminaries by Max Hirshfeld

When I was asked to participate in Artist-Citizen, Washington, DC, I used the opportunity to retrieve an idea that had been lurking somewhere in my subconscious.
Septime Weber

Magazine

Our printed editions, circulating throughout various galleries, festivals and agencies are dipped in creativity.

The spirit of DODHO’s printed edition is first and foremost an opportunity to connect with a photographic audience that values the beauty of print and those photographers exhibited within the pages of this magazine.

We invite professional and amateur photographers from all around the world to share their work in our printed edition.

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When I was asked to participate in Artist-Citizen, Washington, DC, I used the opportunity to retrieve an idea that had been lurking somewhere in my subconscious.

I’ve been in DC for over forty years and maybe because I grew up in small towns in the South, when I came here in 1969 this was a big city to me. Fast forward to 2013 and the remarkable growth and renewed energy of Washington has been spectacular.

For a substantial part of those 40+ years I have been quietly aware that DC was home to myriad people who engage in world-class creative efforts that have their showcase right here at home; people who live, breathe and create in the city making the cultural fabric of the region varied and rich. Poets, actors, curators, critics, architects, dancers, directors and more share their creative efforts unconnected to the federal government and, possibly, better for it.

Illuminaries was born from that observation, a way to celebrate those who help shine a light on art, craft and on others without the requisite trappings of notoriety or the sometimes-shallow world of celebrity. These initial subjects — phase one of Illuminaries — selflessly pursue excellence in their individual realms while hard at work strengthening and bolstering the arts in the ‘other’ Washington.

Anwan Glover

About Max Hirshfeld

Max Hirshfeld is recognized as a master at spotting decisive moments while revealing the warmth and humanity of his subjects. He has undertaken several focused projects over the past decade. From 2002-2005, in a series titled One Shot, Hirshfeld captured individual pedestrians in a single frame of film amid the chaos and color of urban settings in major cities across the United States. For his 2008 Looking at Looking series, he spent over a year wandering through the National Gallery of Art, documenting the jazz-like dance movements of visitors as they viewed master works in the collection. In the spring of 2013, Hirshfeld commenced his Illuminaries series, which highlights key players in the Washington, DC arts and cultural scene. The project serves as an important record of the extraordinary figures contributing to the advancement of Washington arts.

Hirshfeld was born in North Carolina in 1951 and grew up in Decatur, Alabama. He moved to Washington DC to study photography at George Washington University, graduating in 1973. Hirshfeld’s editorial work has been published in GQ, The New York Times Magazine, People, Time, Vanity Fair, and other national publications. His advertising work has been showcased in campaigns for such companies as Amtrak, Canon, Ford Motor Company, IBM, KPMG, US Airways and the US Mint, among others. [Official Website]

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Submission
Dodho Magazine accepts submissions from emerging and professional photographers from around the world.
Their projects can be published among the best photographers and be viewed by the best professionals in the industry and thousands of photography enthusiasts. Dodho magazine reserves the right to accept or reject any submitted project. Due to the large number of presentations received daily and the need to treat them with the greatest respect and the time necessary for a correct interpretation our average response time is around 5/10 business days in the case of being accepted. This is the information you need to start preparing your project for its presentation.
To send it, you must compress the folder in .ZIP format and use our Wetransfer channel specially dedicated to the reception of works. Links or projects in PDF format will not be accepted. All presentations are carefully reviewed based on their content and final quality of the project or portfolio. If your work is selected for publication in the online version, it will be communicated to you via email and subsequently it will be published.
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