Lee Friedlander: Western Landscapes

San Francisco (Oct 27 – Dec 23,2016) Fraenkel Gallery is pleased to present Lee Friedlander: Western Landscapes. The landscape especially the extravagantly varied landscape of the American west
© Lee Friedlander

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The spirit of DODHO’s printed edition is first and foremost an opportunity to connect with a photographic audience that values the beauty of print and those photographers exhibited within the pages of this magazine.

We invite professional and amateur photographers from all around the world to share their work in our printed edition.

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Fraenkel Gallery is pleased to present Lee Friedlander: Western Landscapes at 49 Geary Street from October 27 – December 23, 2016.

The landscape—especially the extravagantly varied landscape of the American west—has been a recurring subject for Friedlander over the course of a nearly six-decade career. Concurrent with the exhibition, Yale University Art Gallery is publishing an ambitious, large-format book of the same title. The exhibition will include approximately 50 works, the large majority of which are being seen and published for the first time.

Lee Friedlander: Western Landscapes focuses on the photographs the artist made during a series of road trips through the 1990s and 2000s. Working with a large negative, a wide-angle lens, and photographing from unconventional vantage points, Friedlander’s square-format photographs draw the viewer into idiosyncratic qualities of the terrain while skewing expectations of beatific grandeur. Though Friedlander’s subjects include some of the west’s more dramatic landscapes, such as Yosemite, Death Valley, the Tetons, and Big Bend, his perspective is radically different from the idealized representations that have shaped the national conception of these oft-photographed treasures.

© Lee Friedlander
© Lee Friedlander
© Lee Friedlander
© Lee Friedlander

Friedlander’s black-and-white landscapes incorporate a panoply of natural forms: swooping mountain ridges, mirrored lakes, twisting trees, and tufted grasses. Even in daylight, Friedlander frequently employs flash to create densely layered compositions melding foreground and background.

Lee Friedlander (b. 1934) is widely celebrated as a photographer of the urban, social, and natural landscape. His work has encompassed such diverse subjects as television sets in lonely motel rooms; self-portraits; the street; nudes; and images from the inside of his car. His work has been the subject of approximately 50 monographs.

FRAENKEL GALLERY

49 Geary Street, 4th Floor
San Francisco, CA 94108
October 27 – December 23, 2016

fraenkelgallery.com

© Lee Friedlander
© Lee Friedlander
© Lee Friedlander
© Lee Friedlander
© Lee Friedlander
© Lee Friedlander
© Lee Friedlander
© Lee Friedlander

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Submission
Dodho Magazine accepts submissions from emerging and professional photographers from around the world.
Their projects can be published among the best photographers and be viewed by the best professionals in the industry and thousands of photography enthusiasts. Dodho magazine reserves the right to accept or reject any submitted project. Due to the large number of presentations received daily and the need to treat them with the greatest respect and the time necessary for a correct interpretation our average response time is around 5/10 business days in the case of being accepted. This is the information you need to start preparing your project for its presentation.
To send it, you must compress the folder in .ZIP format and use our Wetransfer channel specially dedicated to the reception of works. Links or projects in PDF format will not be accepted. All presentations are carefully reviewed based on their content and final quality of the project or portfolio. If your work is selected for publication in the online version, it will be communicated to you via email and subsequently it will be published.
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How can we help? Do you have an idea or something you'd like to share? Please use the form provided, or contact us at [email protected]
Thank You. We will contact you as soon as possible.
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