Min Turab by Roger Grasas

In the last decades, the landscapes of the Arab Gulf region have undergone a mutation driven by increased income from the oil, globalization and mass tourism.
Min Turab | Roger Grasas

Magazine

Our printed editions, circulating throughout various galleries, festivals and agencies are dipped in creativity.

The spirit of DODHO’s printed edition is first and foremost an opportunity to connect with a photographic audience that values the beauty of print and those photographers exhibited within the pages of this magazine.

We invite professional and amateur photographers from all around the world to share their work in our printed edition.

https://www.dodho.com/wp-content/uploads/2024/09/ban30.jpg

In the last decades, the landscapes of the Arab Gulf region have undergone a mutation driven by increased income from the oil, globalization and mass tourism.

These countries have seen a huge transformation, moving from the nomadic, traditional and austere lifestyle of the desert bedouins to a postmodern, urban and consumerist society. ‘Min Turab’, that takes its title from an arabic expression meaning “from the land”, holds up a mirror to the dyad of nature and technology in a place where the old and the new come together and the lines between them blur completely.

Although this itinerary may be somehow reminiscent of the 19th-century grand tour, in Min Turab the attention is not focused to the most popular sites of photographic pilgrimage but in the opposite direction. The areas to study point to the newest centers of unbridled urban development with an approach from the outskirts, the periphery, and the back alley. ‘Min Turab’ steps back a few miles and takes in his secondary, less privileged view, addressing towards the ‘small’. Apparently anecdotal details, at least in this case, end up being the most meaningful of all. Taken together, the project, developed from 2009 until 2017 calmly scrutinize the exact places where landscape alteration, linked to oil as a main agent of change, has produced a fatal discord, a sort of friction that destroys earlier visions and ideas of a place: the notions that we might have as uninformed foreign spectators, or that locals might have as they deal with landscapes transforming rapidly before their eyes—landscapes that, for the first time in history, they will outlive.

Min Turab also has important geopolitical implications. What would scarcely be remarkable in a Western city is scandalous and fascinating in equal measure to foreigners visiting places like Riyadh, Doha and Dubai. It is hard to resist criticizing the overwhelming deployment of technology only to escape to the equally atrocious spectacle of globalization in countries other than our own.

If the classic conception of landscape, which many of today’s photographic projects have inherited, helped naturalize the ideology of unequal social relationships and disguised the reality of the historic conflict implied therein, then the challenges that current photography must face when reflecting on an increasingly complex landscape are clear. That does not mean, however, that they will be at all easy to address. Perhaps, by identifying the blind spots where waves of images are being swept away and replaced by others of a very different sort, Min Turab allows us to confront this new visual regime that imposes the conditions of hyper-visibility of some landscapes and the dramatic dismissal of others. [Official Website]

Min Turab | Roger Grasas

Min Turab | Roger Grasas

Min Turab | Roger Grasas

Min Turab | Roger Grasas

Min Turab | Roger Grasas

Min Turab | Roger Grasas

Min Turab | Roger Grasas

Min Turab | Roger Grasas

Min Turab | Roger Grasas

Min Turab | Roger Grasas

Min Turab | Roger Grasas

Min Turab | Roger Grasas

Min Turab | Roger Grasas

Min Turab | Roger Grasas

Other Stories

stay in touch
Join our mailing list and we'll keep you up to date with all the latest stories, opportunities, calls and more.
We use Sendinblue as our marketing platform. By Clicking below to submit this form, you acknowledge that the information you provided will be transferred to Sendinblue for processing in accordance with their terms of use
We’d love to
Thank you for subscribing!
Submission
Dodho Magazine accepts submissions from emerging and professional photographers from around the world.
Their projects can be published among the best photographers and be viewed by the best professionals in the industry and thousands of photography enthusiasts. Dodho magazine reserves the right to accept or reject any submitted project. Due to the large number of presentations received daily and the need to treat them with the greatest respect and the time necessary for a correct interpretation our average response time is around 5/10 business days in the case of being accepted.
- Between 10/30 images of your best images, in case your project contains a greater number of images which are part of the same indivisible body of work will also be accepted. You must send the images in jpg format to 1200px and 72dpi and quality 9. (No borders or watermarks)
- A short biography along with your photograph. (It must be written in the third person)
- Title and full text of the project with a minimum length of 300 words. (Texts with lesser number of words will not be accepted)
This is the information you need to start preparing your project for its presentation
To send it, you must compress the folder in .ZIP format and use our Wetransfer channel specially dedicated to the reception of works. Links or projects in PDF format will not be accepted. All presentations are carefully reviewed based on their content and final quality of the project or portfolio. If your work is selected for publication in the online version, it will be communicated to you via email and subsequently it will be published.
Contact
How can we help? Got an idea or something you'd like share? Please use the adjacent form, or contact [email protected]
Thank You. We will contact you as soon as possible.
Submission
Dodho Magazine accepts submissions from emerging and professional photographers from around the world.
Their projects can be published among the best photographers and be viewed by the best professionals in the industry and thousands of photography enthusiasts. Dodho magazine reserves the right to accept or reject any submitted project. Due to the large number of presentations received daily and the need to treat them with the greatest respect and the time necessary for a correct interpretation our average response time is around 5/10 business days in the case of being accepted. This is the information you need to start preparing your project for its presentation.
To send it, you must compress the folder in .ZIP format and use our Wetransfer channel specially dedicated to the reception of works. Links or projects in PDF format will not be accepted. All presentations are carefully reviewed based on their content and final quality of the project or portfolio. If your work is selected for publication in the online version, it will be communicated to you via email and subsequently it will be published.
Get in Touch
How can we help? Do you have an idea or something you'd like to share? Please use the form provided, or contact us at [email protected]
Thank You. We will contact you as soon as possible.
WE WANT YOU TO SHOW US YOUR PHOTOGRAPHS SO WE CAN SHOW IT TO THE WORLD
AN AMAZING PROMOTIONAL TOOL DESIGNED TO EXPOSE YOUR WORK WORLDWIDE