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Publicacion Exposicion Lumina Collective: New Voice for Australian Photography

Darlinghurst (June 6 – June 18, 2017) Black Eye Gallery and Lumina Collective are pleased to announce the June 2017 release of Lumina: New Voice for Australian Photography
Baby's Breath, 2015 - Ongoing unpublished work from the series 'Emotional Geography'. Photo by Anna Maria Antoinette D'Addario/ Lumina.

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Black Eye Gallery and Lumina Collective are pleased to announce the June 2017 release of Lumina: New Voice for Australian Photography

Lumina- meaning to illuminate- is a new Australian collective of award winning photographic artists, intent on breaking ground in visual storytelling and dissemination. Founded by eight women who are leading practitioners in the documentary genre, Lumina marks a unique voice among Australian collectives.

Committed to revealing diverse stories and narratives within the Australian landscape and further afield, Lumina’s core aim is to build capacity through collaboration and community. The collective launch coincides with a debut self-titled exhibition of the same name curated by member Anna Maria Antoinette D’Addario (Reportage Festival) in complicity with the other founding members. The exhibition aims to present a blending of visions highlighting the unique perspective of each member in a unified show. Lumina instigators Morganna Magee and Aletheia Casey were inspired to create a collective to make room for newer voices alongside established, award-winning names.

“We invited members who see the world in visually arresting, different ways and whose images communicate depth, sensitivity and thoughtfulness to our social and geographic environment,” said Casey.

“The result is a highly motivated group of talented photographic artists articulating Australian identity and experience.”

Founding members are: Donna Bailey, Chloe Bartram, Jessie Boylan, Aletheia Casey, Anna Maria Antoinette D’Addario, Lyndal Irons, Morganna Magee and Sarah Rhodes.

Eliza Pross is a descendant of Truganini who is famed as being one of the last full blooded Tasmanian Aboriginals. Eliza's family is from Bruny Island, the home of Truganini. Portrait taken near Eliza’s home, Narrabeen Lake, New South Wales, Australia. May 2016 This photographic series uses the Black War in the Australian island state of Tasmania as a backdrop to examine the notion of deliberate historical forgetting and reflects on memory, national denial and loss.
Eliza Pross is a descendant of Truganini who is famed as being one of the last full blooded Tasmanian Aboriginals. Eliza’s family is from Bruny Island, the home of Truganini. Portrait taken near Eliza’s home, Narrabeen Lake, New South Wales, Australia. May 2016. This photographic series uses the Black War in the Australian island state of Tasmania as a backdrop to examine the notion of deliberate historical forgetting and reflects on memory, national denial and loss.

 

Black Eye Gallery

June 6 – June 18, 2017

3/138 Darlinghurst Rd,
Darlinghurst 2010
blackeyegallery.com.au

Using her crowing glory as a form of silent protest, Margaret, my mother, acts against the beauty standards and expectations placed upon her age. Chloe Bartram/ Lumina -- Chloe Bartram is a photographic artist residing In Newman, Western Australia. She is a graduate from the Queensland College of Art, graduating with a Bachelor of Photography, majoring in Photojournalism, with First Class Honours. Using the conventions of social documentary and photography, Chloe endeavors to explore the idiosyncratic nature of the human condition in particular exploring the lived experiences of women and aspects of mind and memory.
Using her crowing glory as a form of silent protest, Margaret, my mother, acts against the beauty standards and expectations placed upon her age. Chloe Bartram/ Lumina
—
Chloe Bartram is a photographic artist residing In Newman, Western Australia. She is a graduate from the Queensland College of Art, graduating with a Bachelor of Photography, majoring in Photojournalism, with First Class Honours. Using the conventions of social documentary and photography, Chloe endeavors to explore the idiosyncratic nature of the human condition in particular exploring the lived experiences of women and aspects of mind and memory.

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Dodho Magazine accepts submissions from emerging and professional photographers from around the world.
Their projects can be published among the best photographers and be viewed by the best professionals in the industry and thousands of photography enthusiasts. Dodho magazine reserves the right to accept or reject any submitted project. Due to the large number of presentations received daily and the need to treat them with the greatest respect and the time necessary for a correct interpretation our average response time is around 5/10 business days in the case of being accepted. This is the information you need to start preparing your project for its presentation.
To send it, you must compress the folder in .ZIP format and use our Wetransfer channel specially dedicated to the reception of works. Links or projects in PDF format will not be accepted. All presentations are carefully reviewed based on their content and final quality of the project or portfolio. If your work is selected for publication in the online version, it will be communicated to you via email and subsequently it will be published.
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