Saskia Boelsums, Sculptor and Photographer

Ever since her art school days, Saskia Boelsums had been fascinated by the many possibilities and results that photography could create. Over the past few years, Saskia has spent more time working with this medium.

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Our printed editions, circulating throughout various galleries, festivals and agencies are dipped in creativity.

The spirit of DODHO’s printed edition is first and foremost an opportunity to connect with a photographic audience that values the beauty of print and those photographers exhibited within the pages of this magazine.

We invite professional and amateur photographers from all around the world to share their work in our printed edition.

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“I was having a stroll on the market and was struck by the sight of a beautiful pomegranate on a stall. Because of the shape, colour and skin of the fruit, and the special way it was lit in that moment, I suddenly understood the desire of the old masters to paint such subject in still life.

I myself also wanted to document this beautiful image. I bought the pomegranate and, inspired by the old masters, started my search for the essence of this fruit, the only difference being that I used photography.”

Ever since her art school days, Saskia Boelsums had been fascinated by the many possibilities and results that photography could create. Over the past few years, Saskia has spent more time working with this medium. [Official website]
Portret 6 saskia boelsums

Early on

Saskia Boelsums has experienced many different cultures from a young age. Her father worked for KLM and the family travelled frequently. They lived for many years in Iran and Curacao in the Caribbean. As a result of living in these different cultures, Saskia started early on to develop an objective view and discovered a universally artistic language.

Saskia did her Art studies at the Minerva Academy in Groningen, Netherlands. This course was a dream come true for her, and during her years of study, she made the most of all the knowledge and techniques that were on offer. From welding and etching to installations and sculpture.

In the beginning of her career, Saskia mainly made installations, often in collaboration with Peter Veen. Together they created, using many indoor and outdoor locations; short films, useless machines, reconstructions of autumn, swimming sheep, sinking ships and even a 365 days panorama view photo series to those who had subscribed.

Themed Series

As it comes to photography Saskia is very enthusiastic in all of her expressions but also very meticulous. She endeavours to control all the aspects of photography in great detail so she can have as much control as possible over the light, posture and expression of the model and composition. This includes the quality of paper. The sheen, print technique and further finishing touches contribute to the final result of the image.

Often Saskia works themes in a series because this allows her to deeply investigate the subject and experiment with it. Examples of some series’ are:

– Still life photos inspired by still life painters from Holland and Flanders, in the 17th century.

– Portraits with light and props (with Peter Veen as the model).

– Heaven and Earth, inspired by Vanitas still life, from the 17th century.

Nominations and prizes

Saskia Boelsum has received many nominations and prizes.

One being in the top ten finalists of the 2014 EyeEm-awards/the Portraitist. The photos were exhibited at the EyeEm-festival in Berlin.

She also won the Artist Collecting Society Price 2014, part of the Young Masters Art Price in London.

The jury’s chairman Mr Charles Saumarez Smith, Secretary & Chief Executive of the Royal Academy of Arts praised Saskia at the award ceremony on: “her ability to combine skill and innovation with an awareness of art history.” He called her work: “delicate and intense.”

Saskia’s portfolio was selected by editorial office of GUP magazine for publication in the yearbook of “New Dutch Photography Talent 2015.”

The reviewer Louis Boshoff says about her work: “… she is entirely comfortable in the half light; a technique which the Dutch have excelled in for ages. Boelsums’ work brings about a stylistic atmosphere that is curious, inquisitive and searching, forever searching. It is specifically this dimmed atmosphere that beckons the viewer to look closer.”

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Saskia Boelsums 02 Saskia Boelsums 03 Saskia Boelsums 04 Saskia Boelsums 05 Saskia Boelsums 06 Saskia Boelsums 07 Saskia Boelsums 08 saskia boelsums Portret 1 saskia boelsums Saskia Boelsums 11 saskia boelsums Portret 4 saskia boelsums Portrait 5 saskia boelsums Portrait 4 saskia boelsums Saskia Boelsums 16 saskia boelsums Portrait 2 saskia boelsums Portret 2 saskia boelsums

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Submission
Dodho Magazine accepts submissions from emerging and professional photographers from around the world.
Their projects can be published among the best photographers and be viewed by the best professionals in the industry and thousands of photography enthusiasts. Dodho magazine reserves the right to accept or reject any submitted project. Due to the large number of presentations received daily and the need to treat them with the greatest respect and the time necessary for a correct interpretation our average response time is around 5/10 business days in the case of being accepted. This is the information you need to start preparing your project for its presentation.
To send it, you must compress the folder in .ZIP format and use our Wetransfer channel specially dedicated to the reception of works. Links or projects in PDF format will not be accepted. All presentations are carefully reviewed based on their content and final quality of the project or portfolio. If your work is selected for publication in the online version, it will be communicated to you via email and subsequently it will be published.
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