Rock photography; Shinedown Staind Godsmack by Paris Visone

These images represent life on the road with various musical groups I have traveled with. Whether it’s in a tour bus, a random midwestern motel room, backstage at a venue, or the vulnerability of a perceived icon,

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Our printed editions, circulating throughout various galleries, festivals and agencies are dipped in creativity.

The spirit of DODHO’s printed edition is first and foremost an opportunity to connect with a photographic audience that values the beauty of print and those photographers exhibited within the pages of this magazine.

We invite professional and amateur photographers from all around the world to share their work in our printed edition.

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These images represent life on the road with various musical groups I have traveled with. Whether it’s in a tour bus, a random midwestern motel room, backstage at a venue, or the vulnerability of a perceived icon, a a congruent story is sewn together.

The woven strands reflect the comfort and the loneliness, the laughter and sweat, the work and the play, and the fine lines that often interweave. Samuel Johnson once said, “The use of traveling is to regulate imagination by reality, and instead of thinking how things may be, to see them as they are”.

VisoneParis_MG_0435 as Smart Object-1 copy

VisoneParis_MG_0278 as Smart Object-1 VisoneParis_MG_0621 as Smart Object-1 copy VisoneParis_MG_1186 as Smart Object-1 copy

About Paris Visone

Paris Visone is a documentary photographer based in Boston, MA USA. She graduated from The Art Institute of Boston where she is now a faculty member. Her acclaimed series “Gender Roles and Appearance” received the Getty Images Editorial Photography Grant in 2010.  Her work has also been shown internationally in solo and group exhibitions. Paris has traveled the globe with numerous musical icons including Marilyn Manson, Blondie, Toto, Godsmack, and Limp Bizkit. Bringing her unique style on the road, she captures a side of these musicians that is rarely seen.  She has also been featured in numerous publications such as Rolling Stone, Spin, Zoom Magazine, Rangefinder, Real Simple, Alternative Press, Performer and GEO Magazine. Most important to her is the ever continuing life project titled “Years”. She describes it as a self portrait that only ends when she does. [Official Website]

VisoneParis_MG_1224 as Smart Object-1 copy VisoneParis_MG_1255 as Smart Object-1 copy VisoneParis_MG_1713 as Smart Object-1 copy VisoneParis_MG_1822 as Smart Object-1 copy VisoneParis_MG_1953 as Smart Object-1 copy VisoneParis_MG_2053 as Smart Object-1 copy VisoneParis_MG_2076 as Smart Object-1 copy VisoneParis_MG_2755 as Smart Object-1 copy VisoneParis_MG_3058 as Smart Object-1 copy VisoneParis_MG_3111 as Smart Object-1 copy VisoneParis_MG_3378 as Smart Object-1 copy VisoneParis_MG_3851 as Smart Object-1 copy VisoneParis_MG_3950 as Smart Object-1 copy VisoneParis_MG_4067 as Smart Object-1 copy VisoneParis_MG_4835 as Smart Object-1 copy VisoneParis_MG_4944 as Smart Object-1 copy VisoneParis_MG_5245 as Smart Object-1 copy VisoneParis_MG_5274 as Smart Object-1 copy VisoneParis_MG_5720 as Smart Object-1 copy VisoneParis_MG_5894 as Smart Object-1 copy VisoneParis_MG_5928 as Smart Object-1 copy

VisoneParis_MG_6149 as Smart Object-1 copy

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Submission
Dodho Magazine accepts submissions from emerging and professional photographers from around the world.
Their projects can be published among the best photographers and be viewed by the best professionals in the industry and thousands of photography enthusiasts. Dodho magazine reserves the right to accept or reject any submitted project. Due to the large number of presentations received daily and the need to treat them with the greatest respect and the time necessary for a correct interpretation our average response time is around 5/10 business days in the case of being accepted. This is the information you need to start preparing your project for its presentation.
To send it, you must compress the folder in .ZIP format and use our Wetransfer channel specially dedicated to the reception of works. Links or projects in PDF format will not be accepted. All presentations are carefully reviewed based on their content and final quality of the project or portfolio. If your work is selected for publication in the online version, it will be communicated to you via email and subsequently it will be published.
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