Un-numbered homes are the norm, as everybody knows each other.Streets wind in un-orderly fashion over streams of running water, sometimes fresh often as open sewage.
In Myanmar, parents want to give a good life and good education to their children. As life is truly harsh, some parents opt to give their children up for adoption to monasteries, where they become monks. Their life then becomes dedicated to Buddhism with daily prayers, food gathering, and focus on respecting others. As an outsider, I felt that their life is like a Swiss clock, regulated, with a heart beat that never stops and never surprises. The murals were critically damaged during the 2016 earthquake. Temple has been closed since.
Magazine
Our printed editions, circulating throughout various galleries, festivals and agencies are dipped in creativity.
The spirit of DODHO’s printed edition is first and foremost an opportunity to connect with a photographic audience that values the beauty of print and those photographers exhibited within the pages of this magazine.
Entering a village is stepping back in time; Narrow streets, sometimes paved, most of the time dirt paths. Un-numbered homes are the norm, as everybody knows each other.
Streets wind in un-orderly fashion over streams of running water, sometimes fresh often as open sewage. Early morning feels like a metronome wakes up. Few words are exchange among neighbors, prayers and chores get on the way, people leave to go farming, build roads and structures. Late afternoon, the center of the village gets busy as daily stories are shared over many types of beverages, as kids are playing. People retreat to their home when darkness approaches. Description might be symbolic but the feel is pretty accurate.
My interest was to capture the inner belly of the Village, what happens inside people’ homes, how they think, how they feel. Spirit of the Village is changing, mainly affected by the modern world innovation. Rapid changes often come at the cost of old-world customs, rituals and social relationships. This is especially true in Asia, where a search for new opportunities in urban areas has led to a mass exodus of the middle generation in rural communities. Those left behind are balancing a growing tension between the cultural diversity of the past and the homogenized present.
Villages are populated by those on opposite ends of the generational divide — grandparents and children. The net result often creates a situation where those desperately looking to preserve tradition are caring for those most-willing to embrace change.From a western perspective it may look like time stands still in the Village, and it some ways it does, but below the surface there exists a struggle between old and new, tradition and modernity that ultimately must come into balance as villagers hold onto their Spirit while coping with the reality of a modern world. [Official Website]
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Submission
Dodho Magazine accepts submissions from emerging and professional photographers from around the world.
Their projects can be published among the best photographers and be viewed by the best professionals in the industry and thousands of photography enthusiasts. Dodho magazine reserves the right to accept or reject any submitted project. Due to the large number of presentations received daily and the need to treat them with the greatest respect and the time necessary for a correct interpretation our average response time is around 5/10 business days in the case of being accepted. This is the information you need to start preparing your project for its presentation.
To send it, you must compress the folder in .ZIP format and use our Wetransfer channel specially dedicated to the reception of works. Links or projects in PDF format will not be accepted. All presentations are carefully reviewed based on their content and final quality of the project or portfolio. If your work is selected for publication in the online version, it will be communicated to you via email and subsequently it will be published.