Street A Different visual Impact by Ranita Roy

I’ve been shooting Street Photography since I started photography. I always believed in Street Photography as a powerful tool for growth which concealed many secrets in a simple walk. To me, Street photography is not only a genre but delicate visual poetry.
Street A Different visual Impact | Ranita Roy

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I’ve been shooting Street Photography since I started photography. I always believed in Street Photography as a powerful tool for growth which concealed many secrets in a simple walk.

To me, Street photography is not only a genre but delicate visual poetry. It is a combination of shadows, movements, looks, and connections hinted by the geometry of framing.

I Love to hunt the moment of mystery, surprise, and humor in my street photography. These fragments of fictional stories are drawn from the real world through the facsimile or aesthetic composition that hints at a larger story. It’s something interesting in the ordinary places. Above all, I photograph to reproduce the feeling of the moment. Kolkata, the City of Joy, is one of my favorite place to shoot. Here frame is being created and changed in every moment. If you go for a walk on the street with a camera, I promise, you just can’t stop clicking. Here, I wanted to show some different frames of Kolkata. I emphasize on light and shadow, in a different tone, where I caught the frames in an exaggerated way with a moment of mystery. Through these visual presentations, I wanted to hint at a large story of life for these people captured in my frame.

About Ranita Roy

Regarding me, myself, Ranita Roy, Born and brought up in Andul, a small town in Howrah District in West Bengal, India, grew up with a great interest in Art. My goal is to show the different moments and moods of life. I focus on a place with regular people in exaggerated situations that highlight an aspect of who they are. I look for a sense of defiance and fortitude in my work. Above all, I photograph to reproduce the feeling of the moment. I have won distinctive photography challenges at National and International level including UNESCO (Climate change), being top 10 finalists of International Women Photographer Award 2017 and Achieved Honorable Mention in Marilyn Stafford FotoReportage Award. My photos and photograph story were distributed in various media.  My Key areas of photography – Street, People and life, Environment, Documentary, Photo Journalism, Nature and Landscape, Travel, Portrait and Fine Arts. The exertion leads me to make narrative on Old age joy, flood-affected areas and environmental issues, Child labor and their education and many more.  I will probably demonstrate the distinctive moments and states of mind of life. I center around a place with consistent individuals in overstated circumstances that feature a part of their identity. I search for a feeling of rebellion and determination in my work. Most importantly, I photo to imitate the sentiment the occasion.

Street A Different visual Impact | Ranita Roy
Street A Different visual Impact | Ranita Roy
Street A Different visual Impact | Ranita Roy
Street A Different visual Impact | Ranita Roy
Street A Different visual Impact | Ranita Roy
Street A Different visual Impact | Ranita Roy
Street A Different visual Impact | Ranita Roy
Street A Different visual Impact | Ranita Roy
Street A Different visual Impact | Ranita Roy
Street A Different visual Impact | Ranita Roy
Street A Different visual Impact | Ranita Roy
Street A Different visual Impact | Ranita Roy
Street A Different visual Impact | Ranita Roy
Street A Different visual Impact | Ranita Roy

2 comments

  • Sudipta Chakraborty

    Apr 23, 2018 at 20:56

    Excellent work Ranita .. Keep on going .. you are absolutely on the track .. proud of you…

  • Ranita Roy

    Apr 24, 2018 at 13:42

    Thank you so much

Comments are closed.

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Submission
Dodho Magazine accepts submissions from emerging and professional photographers from around the world.
Their projects can be published among the best photographers and be viewed by the best professionals in the industry and thousands of photography enthusiasts. Dodho magazine reserves the right to accept or reject any submitted project. Due to the large number of presentations received daily and the need to treat them with the greatest respect and the time necessary for a correct interpretation our average response time is around 5/10 business days in the case of being accepted. This is the information you need to start preparing your project for its presentation.
To send it, you must compress the folder in .ZIP format and use our Wetransfer channel specially dedicated to the reception of works. Links or projects in PDF format will not be accepted. All presentations are carefully reviewed based on their content and final quality of the project or portfolio. If your work is selected for publication in the online version, it will be communicated to you via email and subsequently it will be published.
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