Everyday life; The street by Petros Kotzabasis

My field of reference is “the street”; I neither seek extraordinary events, nor do I travel around in quest of a subject to photograph. I have been photographing the “riches” of everyday life on a daily basis.

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I was born and bred in Komotini, a small town in northern Greece, where I have chosen to live. I have been involved with photography since 1985 with a 10-year-interval.

My field of reference is “the street”; I neither seek extraordinary events, nor do I travel around in quest of a subject to photograph. I have been photographing the “riches” of everyday life on a daily basis. I seek nothing but the moment when narration becomes superfluous, with a view to creating a new universe where everything will be evident yet something will be left unrevealed, not with symbols but with hints. My starting point is a quote by Odysseas Elytis, an eminent Greek poet, that goes as follows: “with lime twigs you may capture birds, yet you never capture their singing. It takes a different kind of twig….” The “project” I am working upon is a single one and it will be over once my life cycle is over, hoping that my every photo gets across to the viewer the intensity I felt when I raised my camera, opening for him small cracks in the solid wall of reality, allowing him to see beyond and over reality and its laws. I make use of reality so as to make photos, trying to shape something that pre-existed within me and at the same time giving back to life itself what I have borrowed for a single moment but now in an altered form as dictated by my own spirit; thus, I follow exactly the opposite course in comparison with those involved with applied or commemorative photography, who use photography as a means to show reality.

I started teaching fine-art photography in 2007 in the student cultural society of Democritus University of Thrace. I am currently teaching in the photographic societies of Komotini, Xanthi and Kavala and I have also been conducting seminars on fine-art photography and visual perception in photographic groups and societies all over Greece. In 2014 my first photographic album entitled “Obsessions” was published. [Official Website]
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Dodho Magazine accepts submissions from emerging and professional photographers from around the world.
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Submission
Dodho Magazine accepts submissions from emerging and professional photographers from around the world.
Their projects can be published among the best photographers and be viewed by the best professionals in the industry and thousands of photography enthusiasts. Dodho magazine reserves the right to accept or reject any submitted project. Due to the large number of presentations received daily and the need to treat them with the greatest respect and the time necessary for a correct interpretation our average response time is around 5/10 business days in the case of being accepted. This is the information you need to start preparing your project for its presentation.
To send it, you must compress the folder in .ZIP format and use our Wetransfer channel specially dedicated to the reception of works. Links or projects in PDF format will not be accepted. All presentations are carefully reviewed based on their content and final quality of the project or portfolio. If your work is selected for publication in the online version, it will be communicated to you via email and subsequently it will be published.
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