Thanatophobia by Valerie Decleer

In reaction to my father’s death, I use the camera to describe my inner emotions. I found myself entangled in a complex web of emotions and reactions.  I felt disorientated, as if I had lost my place and purpose in life.  I was living in a different world.
Thanatophobia | Valerie Decleer

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In reaction to my father’s death, I use the camera to describe my inner emotions. 

I found myself entangled in a complex web of emotions and reactions.  I felt disorientated, as if I had lost my place and purpose in life.  I was living in a different world. Am I trapped in my father’s bones, is this my inheritance?  Can I regain my identity?  Is a part of my dying with him?  I am struggling with death anxiety, I acknowledge my own mortality, but deep down, I deny it. Whatever I fear cannot be death because one has never died.

The bodies represent myself.  The xrays used are in fact from my father’s body.  The match is present visually and literally.  I did not work directly on xrays but I used parts and mixed them digitally with pictures of my body.  Not all are blended with xrays, I also use other pictures that can emphasize the feelings I had during this emotional rollercoaster.  The exhibition format of my works is 60 cm x 80cm.  Some are printed out on a transparent surface to mimic an xray, some are printed on arches paper to outline the tactile aspect. [Official Website]

Thanatophobia | Valerie Decleer
Thanatophobia | Valerie Decleer
Thanatophobia | Valerie Decleer
Thanatophobia | Valerie Decleer
Thanatophobia | Valerie Decleer
Thanatophobia | Valerie Decleer
Thanatophobia | Valerie Decleer
Thanatophobia | Valerie Decleer
Thanatophobia | Valerie Decleer
Thanatophobia | Valerie Decleer
Thanatophobia | Valerie Decleer
Thanatophobia | Valerie Decleer
Thanatophobia | Valerie Decleer
Thanatophobia | Valerie Decleer
Thanatophobia | Valerie Decleer
Thanatophobia | Valerie Decleer
Thanatophobia | Valerie Decleer
Thanatophobia | Valerie Decleer

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Their projects can be published among the best photographers and be viewed by the best professionals in the industry and thousands of photography enthusiasts. Dodho magazine reserves the right to accept or reject any submitted project. Due to the large number of presentations received daily and the need to treat them with the greatest respect and the time necessary for a correct interpretation our average response time is around 5/10 business days in the case of being accepted.
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Submission
Dodho Magazine accepts submissions from emerging and professional photographers from around the world.
Their projects can be published among the best photographers and be viewed by the best professionals in the industry and thousands of photography enthusiasts. Dodho magazine reserves the right to accept or reject any submitted project. Due to the large number of presentations received daily and the need to treat them with the greatest respect and the time necessary for a correct interpretation our average response time is around 5/10 business days in the case of being accepted. This is the information you need to start preparing your project for its presentation.
To send it, you must compress the folder in .ZIP format and use our Wetransfer channel specially dedicated to the reception of works. Links or projects in PDF format will not be accepted. All presentations are carefully reviewed based on their content and final quality of the project or portfolio. If your work is selected for publication in the online version, it will be communicated to you via email and subsequently it will be published.
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How can we help? Do you have an idea or something you'd like to share? Please use the form provided, or contact us at [email protected]
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