Urban landscape; Typology of concrete by Ludovic Maillard

I like to explore the ordinary urban landscape, because whatever ugly city we designed, and we did a lot of ugly constructions in France since the 1950’s,

Magazine

Our printed editions, circulating throughout various galleries, festivals and agencies are dipped in creativity.

The spirit of DODHO’s printed edition is first and foremost an opportunity to connect with a photographic audience that values the beauty of print and those photographers exhibited within the pages of this magazine.

We invite professional and amateur photographers from all around the world to share their work in our printed edition.

https://www.dodho.com/wp-content/uploads/2024/09/ban30.jpg

I like to explore the ordinary urban landscape, because whatever ugly city we designed, and we did a lot of ugly constructions in France since the 1950’s, people add a tremendous history and mystery to it, and nature is always the ultimate and riche source behind.

I could be photographing natural landscapes, and the play of light on some beautiful rocks, but i prefer to face and use what i have every day in front of me: the enigmatic beauty of city’s fringe. In 2013 it was the 40th anniversary off the “Boulevard Périphérique de Paris”, wich is Paris ring road, and we decided with 6 photographers off my photo Collective, Babel Photo, to each produce an original series on this special road.

01_lm_20121123_160350_fr_paris_peripherique_beton_

What mostly interested me when i shot my series “typologie of concrete” was the structure and the materials the ring road is made off. It is an enormous object build by engineers, A 35 km river of concrete surrounding the city, purely utilitarian, with just a modicum of decoration. It is a place that every pedestrian cross as fast as he can between the city and it’s suburbs. But when you start exploring it, you discover plenty off vast and empty spaces, concrete temples with colonnes, arch, and giant roofs. After 40 years, the concrete has grown a real deep texture wich is beautiful to photograph in black and white. The walls meet at many angles, creating some original spaces that can bring very interesting dynamic to the pictures.

Paris is a very dense city, with little desert place, but i spent days with my camera without meeting anyone, enjoying the zen that architecture or landscape photography can be, with just the faraway humming off all the cars using the road.

I had already in my mind the prints i wanted too make with this pictures, large (100x80cm) black and white format with a great definition, so that they could be looked very closely. I am about to four of them, for an exhibition starting the 10th off April at the “Hôtel de Sauroy” in Paris, and i look forward seing what impression it will bring back off the place it represent, and how far it can lead people’s meditations. I am a finalist in the Sony World Photo Awards and, thanks to this, some off this images will be part off an exhibition at Somerset House in London in may.My next projects will explore architectural spaces in the making, and urban spaces at the fringe off small cities, especially in the south off France.

02_lm_20121019_174914_sans titre 03_lm_20121026_152636_fr_paris_peripherique-beton_ 04_lm_20121130_135905_sans titre_cylindrique_

About Ludovic Maillard

After travelling and working around the world for 10 years Ludovic Maillard became a photographer in 2005. He has exhibited his portraits and documentary work at the Rencontres d’Arles and the Maison Européenne de la Photographie in Paris (with his series “The suburb on foot”). He collaborates with the newspaper Le Monde, and responds to assignments for the press and institutions. In 2009, he cofounded the Babel-Photo collective which published in 2013 the book “Périphérique, Terre promise”. Since 2010, his photography is based on literary works to create staged images, and on his passion for architecture and landscape.
His future projects are about the urban space off the “Great Paris” and the evolving borders off french towns. [Official Website]

05_lm_20121130_134959_sans titre_cylindrique_ 06_lm_20121130_132840_sans titre_cylindrique_ 07_lm_20121019_164053_sans titre 08_lm_20121116_170254_fr_paris_peripherique_beton_ 09_lm_20121109_171216_fr_paris_peripherique_beton_ 10_lm_20121026_154037_fr_paris_peripherique-beton_

Stitched Panorama

Stitched Panorama

One comment

  • janssens serge

    May 28, 2014 at 09:43

    J’aime beaucoup le travail effectué par Ludovic , l’art brut a son coté lyrique quand il est bien composé . Mes félicitation ! Serge

Comments are closed.

Other Stories

Submission
Dodho Magazine accepts submissions from emerging and professional photographers from around the world.
Their projects can be published among the best photographers and be viewed by the best professionals in the industry and thousands of photography enthusiasts. Dodho magazine reserves the right to accept or reject any submitted project. Due to the large number of presentations received daily and the need to treat them with the greatest respect and the time necessary for a correct interpretation our average response time is around 5/10 business days in the case of being accepted.
- Between 10/30 images of your best images, in case your project contains a greater number of images which are part of the same indivisible body of work will also be accepted. You must send the images in jpg format to 1200px and 72dpi and quality 9. (No borders or watermarks)
- A short biography along with your photograph. (It must be written in the third person)
- Title and full text of the project with a minimum length of 300 words. (Texts with lesser number of words will not be accepted)
This is the information you need to start preparing your project for its presentation
To send it, you must compress the folder in .ZIP format and use our Wetransfer channel specially dedicated to the reception of works. Links or projects in PDF format will not be accepted. All presentations are carefully reviewed based on their content and final quality of the project or portfolio. If your work is selected for publication in the online version, it will be communicated to you via email and subsequently it will be published.
Contact
How can we help? Got an idea or something you'd like share? Please use the adjacent form, or contact [email protected]
Thank You. We will contact you as soon as possible.
Submission
Dodho Magazine accepts submissions from emerging and professional photographers from around the world.
Their projects can be published among the best photographers and be viewed by the best professionals in the industry and thousands of photography enthusiasts. Dodho magazine reserves the right to accept or reject any submitted project. Due to the large number of presentations received daily and the need to treat them with the greatest respect and the time necessary for a correct interpretation our average response time is around 5/10 business days in the case of being accepted. This is the information you need to start preparing your project for its presentation.
To send it, you must compress the folder in .ZIP format and use our Wetransfer channel specially dedicated to the reception of works. Links or projects in PDF format will not be accepted. All presentations are carefully reviewed based on their content and final quality of the project or portfolio. If your work is selected for publication in the online version, it will be communicated to you via email and subsequently it will be published.
Get in Touch
How can we help? Do you have an idea or something you'd like to share? Please use the form provided, or contact us at [email protected]
Thank You. We will contact you as soon as possible.
WE WANT YOU TO SHOW US YOUR PHOTOGRAPHS SO WE CAN SHOW IT TO THE WORLD
AN AMAZING PROMOTIONAL TOOL DESIGNED TO EXPOSE YOUR WORK WORLDWIDE
PGlmcmFtZSBkYXRhLXctdHlwZT0iZW1iZWRkZWQiIGZyYW1lYm9yZGVyPSIwIiBzY3JvbGxpbmc9Im5vIiBtYXJnaW5oZWlnaHQ9IjAiIG1hcmdpbndpZHRoPSIwIiBzcmM9Imh0dHBzOi8veGs1NHUubWp0Lmx1L3dndC94azU0dS94dXM2L2Zvcm0/Yz1lNmM1YzIzOCIgd2lkdGg9IjEwMCUiIHN0eWxlPSJoZWlnaHQ6IDA7Ij48L2lmcmFtZT4NCg0KPHNjcmlwdCB0eXBlPSJ0ZXh0L2phdmFzY3JpcHQiIHNyYz0iaHR0cHM6Ly9hcHAubWFpbGpldC5jb20vcGFzLW5jLWVtYmVkZGVkLXYxLmpzIj48L3NjcmlwdD4=